Pillbugs

I first folded these little critters, designed by Robert J Lang, using a square cut from an A3 printer paper sheet back in 2011 as part of my original 365 project:

Remarkably, even with that terrible paper, all the features of the critter were present however not very refined.

Australians call these “Slaters”, but they also go under the name “wood lice” because these little isopods are found in decaying vegetation – which is why I decided they should be folded from Mango Leaf paper. It makes this fold a bit “meta” in that the critter is folded from mulberry paper that contains leaf litter.

The fold sequence is exacting, forming trapezoidal molecules for each of the 14 legs, along with antennae and a rather beautiful segmented shell. This model appears in a few of Robert’s books, I folded this one from “Origami Insects 2” – a rather splendid volume from Origami House in Japan. bought from Origami-shop (even though, strictly speaking, it is not an INSECT….).

I decided to fold two so we could see one open and one curling up into a little armoured ball – they do this when in danger.

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Lang’s “Green Tree Frog”

Good paper is such a blessing. I took a long-stored square of olive Vietnamese Dó paper and attempted to fold a “Temple Dragon” – got most of the way through and realised the paper was too small/thick to complete it. Rather than bin the model, I carefully unfolded it, ironed it flat and … the paper had a new life:

Folding paper can damage it – wood-fibre-based paper takes damage (I call it paper fatigue) because the folding process can break the fibres along the crease. SOME paper has strong, flexible fibres that bend but mostly do not break, and Dó paper (made from bark of the Rhamnoneuron balansae tree) is astonishingly resilient.

The colour reminded me of something, as a kid, I used to see all the time – green tree frogs. Naturally I returned to Robert Lang’s “Origami Design Secrets” and re-folded his Green Tree Frog – I no longer had in my stored folds a copy of this lovely model so figured it was time.

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1000: How Green Was My Cactus

Episode 245, Mabel, confused about her husband’s sudden emergence from a coma as a woman, signs over her mortgage to Favio, the pool boy, and became a nun, briefly.

How green was my cactus - finished

I remember a radio serial comedy drama, it used to make me giggle and it was called “how Green was my Cactus?”, the inspiration for many of the hashtags as I chronicled this fold, over what has seemed like an age. Somehow this is relevant in the context that this is “never folded this before #1000” for me – an astonishing milestone that I do not take lightly. I knew I had to attempt something epic … be careful what you wish for.

I first saw pictures of Daniel Brown’s fold of Robert Lang’s “Cactus, Opus 680“, and then I saw some fold suggestions from Daniel and flirted with the idea of taking a crack at this fold.

How green was my cactus - views
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Plan B (or “Home is where the hive is”)

I was approached by a mate mid 2018 with the idea of an original origami commission, but was given no real timeline (which for an OCD procrastinator like me is a recipe for a little crazy time.

framed picture

The end result, finished near the end of February 2019, is vastly different from how I had initially envisaged it. It was actually really hard to part with this one – so much creative energy went into it’s genesis.

the new happy owner
A new home, Happy Birthday Paige (albeit belated, sorry)
Depth, scale, detail.
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941: Home is where the Hive is…

Over the last few years I have played with origami tessellations – the theory of a repeatable pattern that interacts with other repeats (molecules) is fascinating and a real testament to the accuracy of the pre-folding. As part of another project, I have been exploring triangle grids, and a devilishly tricky to collapse hex-cell tessellation by Robert Lang he calls “Honeycomb”.

Robert Lang’s Honeycomb Tessellation

After folding this a number of times, and then schematicizing the molecule, I noticed that “cells” were deep and, due to the nature of the collapsed layers inside I did not think they were very tidy nor kept their shape nicely. All to often, in origami design, paper thickness is disregarded in the theoretical collapse – in this case hiding away most of the paper in canyons between cells deforms them in ugly ways.

Original Lang molecule (right) and my shallow modified one (left) – same size paper

I started playing with the corner mechanism, and discovered I could halve the height of the cell wall, making the tuck much less bulky and doubling the size of the resultant folded field on the same bit of paper. Additionally it held itself together nicely with edges that are easy to stabilise. With a little practice (I am sure my work colleagues thought me obsessed, given the number of times I folded this tessellated field) I was ready to scale up … well, down in truth as I folded a “tiny” triangle grid on my target mustard leather-grain paper and then set the corner widgets before collapse only to then realise that folding this small was a real challenge with my nerve damaged, fat clumsy fingers.

CP of molecule (red=Mountain, blue=Valley) Thick lines are visible edges, thin are hidden
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838: (288/365) Maine Lobster

A 365 Challenge is a mixture of blessing and curse:

The relentless schedule amidst a full time job and part time life is challenging at times. I started this model last weekend but ran out of weekend before it was finished. Continue reading

837: (287/365) Jackson’s Chameleon

Looking for a nice, rich, challenging fold for the day, I knew I needed to try a model from Robert Lang:

This is his model “Jackson’s Chameleon” – a deliciously complicated model with all the chameleonic bits you expect.

Working with a slightly un-square square of light green washi, the pre-folding is fascinating, layer management and seemingly impossible moves abound – there were many times I thought I had screwed up, only to find out that it worked. Continue reading

698: (148/365) Cicada

I must admit to enjoying the challenge that is inherent in most of Robert Lang’s designs:

When the Tanteidan magazine arrived, I saw there was a new version of his cicada, and I knew I needed to try it.

Starting with a 35cm square of Daiso washi (that turned out to be slightly rhombic problematically), I began the marathon folding sequence. Continue reading

675: (125/365) Centipede

Gagging for complex folds I thought I would torture a bit of paper with a super complex model from Robert Lang’s “Origami Insects II”:

The paper survived and the resultant creepy crawley is interesting if not perfect.

Missing steps and powering on, only have to backtrack, characterised this mammoth 6 hour fold. Some steps are small but have long term consequences and I was worried that unfolding and refolding would cause the paper to disintegrate, fortunately not. Continue reading

673: (123/365) Longhorn Beetle

Itching to dive into some thing complex (365 challenges are lousy for this, the one fold a day schedule makes longer hauls really difficult), I decided on an insect from Robert Lang that I had not folded before:

Folded nearly life-size, this is a longhorn beetle, a lovely little bug with seemingly ridiculous antennae. Continue reading

672: (122/365) Lang’s Butterfly

Continuing on the theme of butterflies, I could not go past this one, designed by Robert Lang:

Taken from “Origami Insects II”, it is one of a number of creepy crawlys that I have yet to fold from this book. Continue reading

561: (11/365) Robert Lang’s Minamimachi Butterfly

I must admit to not having folded many butterflies – not sure why, hopefully this year I will remedy this situation:

This is Robert Lang’s Minamimachi Butterfly – I know it looks simple but there are some wonderfully complex techniques in it’s fabrication. Continue reading

Orchid Shadowbox

I love models by Robert Lang, I find I fold them when I need order, therapy, calm. This is a collection of his Orchids, described in his book “Origami Design Secrets”. Something about the mathematical elegance of this flower lends itself to careful modelling and pretty staging. I had a bunch of opalescent 6″ squares in delicate pastel colours so originally folded separate flowers and tried to attach them in a sort of free-form montage.camille

They look better on a stem, so re-thought the mounting, used florist’s wire and tape to build a plausible “spray” and (shhh) used some craft glue to affix the flowers to the ends of each stickey-outey bit.

Working to the diagonal here, with an odd number of blooms works quite nicely I think, coupled with the corrugated (I folded a fan) hand-made gold-flecked tissue the total scene is quite pleasing. Continue reading

521: Robert Lang’s Yellowjacket

Flipping through the book “Origami Masters – Bugs – How the Bug Wars Changed the Art Of Origami”, you cannot help but be frightened by this model:521Yellowjacket

Robert Lang, mathematician, engineer and origami design genius in this model pushes the envelope of what is possible with paper on a number of levels. The book gives general hints about a truly terrifying paper manipulation which I think, largely ignores the fact that paper will be used in the fabrication. Continue reading

488: Burr Puzzle

In the hiatus between receiving parts of the Ryujin to fold, I am always on the look out for something interesting to fold.488BurrPuzzle

I first saw Froy’s Burr Puzzle on the Hong Kong Origami Society’s forum and decided to give it a try. Continue reading