J Montroll

1028: Montroll’s Butterfly

| wonko

Flipping through “Bugs and Birds in Origami” by John Montroll one gains an appreciation for the clear design skills on show:

Montroll's butterfly

This is Montroll’s “Butterfly” – published in 2001, representing ‘old school’ design, the resultant model is lovely, efficiently uses paper and is morphologically pretty accurate – all this without the hundreds of instructions typical of more modern designs.

Montroll's butterfly views

Folded from a 30cm square of Daiso unryu (do they still make this? i have not been able to buy it for years), the work to isolate legs and antennae is delicious (if requiring precision) folding, and overall is a fun sequence minimally diagrammed.

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938: Angelfish by John Montroll

| wonko

As a member of Origami USA, I get access to publications, diagrams and a community of folders world wide. It and JOAS are important communities for folders from Oz as we are so far (physically) from everywhere:

Every year, OUSA decorate a Christmas Tree at the American Museum of Natural History in New York. members are asked to contribute models to hang. Continue reading →

620: (70/365) Montroll’s One-Sheet Omega Star

| wonko

Modular stars are a thing, there are many beautiful ones including multi-sheet omega stars (8 pointers), but this little beauty is crafted from a single uncut square:

From a sunken waterbomb base we tease xyz planes then fashion points from their intersections – genius. Continue reading →

450: Montroll’s Hippopotatomus

| wonko

It is a little recognised fact that the animal that has killed the most people in Africa is in fact the Hippopotamus:

I stumbled across this delightful model while leafing through “African Animals in Origami” – a much worn volume when looking for something to try from my invalid chair.

I had a gold (more correctly bronze) foil square and was wanting to fold something “yoshizawa style” – free form hand-held rather than on table or other flat surface – the challenges with this style are accuracy and precision, the payoffs are often more fluid, softer curves and lively asymmetrical poses.

I like this model, although he reflective paper makes discerning details difficult – she has a wry grin, 2 lovely tusks on her bottom jaw, lovely ears and a fine rump after some 3d modelling.

430: Lang’s Spider Conch

| wonko

Those of you who were guessers for the WTF (What’s That Fold?) #4 will be interested to know that this model was actually a Spider Conch designed by Robert Lang:

I once taught on Palm Island – which is seaward from Townsville, North Queensland. Whilst there I loved to snorkel the reef nearby. Whilst doing so, I managed to find a pair of “spider shells” that I still have today.

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332: Elephant

| wonko

You know when you get a song stuck in your head, and it will not go away? Usually the song is totally daggy but so solidly lodged in your psyche that it effects your judgement:

“Baby Elephant Walk” is stuck in my head at the moment – I will excorcise it with some Rammstein later but for now my mind turns to folding elephants. This is my first fold of John Montroll’s Elephant (taken from his book “Origami Sculptures”).

Not really happy with it – an early inaccuracy compounded through the model making the legs asymmetrical and the shoulders gape – you get that sometimes. I quite like the head/ears/trunk and the rear has modelling potential. I will fold this again, when I have more time, if I remember (unlike an elephant, I forget things all the time).

318: Dromedary

| wonko

On review, I have not folded many camels – I have no idea why this is:

This is John Montroll’s “Dromedary”, a one-humped Arabian camel and there is much to like about the model, if not my first fold of it.

Lovely ears and face, curious sunken hump, legs more or less in the right place.

I might fold this one again, I learned much on the first time through, and it was a mashup of his “camel” instructions to a modified base, so I did not really know what was going to be what until fairly late in the piece (hence the disoriented development pictures).

Busy times, lots to do, spent waaaay too much time on this, you get that.

294: Montroll’s Centaur

| wonko

Ever since my first disastrous encounter with a centaur, I have been looking for a worthy replacement:

This model comes close, the proportions work a little better (although, truth be told it looks more like a man standing with a donkey wedged up his bottom, but you get that).

A mch easier fold with plenty of modelling potential, I think the quadrupedal hindquarters are a little out of scale. I did fold it to the directions, but might, next time I fold this re-position some of the features a little. I like the arms and the upper body, although figurative, are well proportioned.

Happy with this as a first fold. taken from “Mythological Creatures and Chinese Zodiac”, worth exploring further.

292: Montroll’s Rhino

| wonko

I have been exploring the work of John Montroll, and came across this little beauty:

A lovely Rhino, dual horns, lovely ears and a splendid tail, I am impressed with the rhinocerosness of this design, you get a sense of the armor-plating, power and posture of the beast.

Some clever pre-folding and some interesting sink folds to tease stickey-outey bits from flat edges, and the collapse for the head is interesting indeed.

Happy with this as a first fold, my pick of the rhinos folded so far.

291: Hexagonal Prism

| wonko

John Montroll is a design genius:

In his book “A Plethora of Polyhedra” he explores the complexities of single sheet 3d-shapes, and this rather splendid prism caught my eye as something I wanted to try.

I like how the pre-folding teases of open edges up and inside the finished shape which locks itself – very clever Mr Montroll

There are some eye-poppingly complex polyhedra in this book, I shall be trying some more I think.

290: Dachshund

| wonko

Awoke with a banging headache, have laid low for most of the day, decided I needed something simple:

Little did I realise how un-simple this model was. Not hard, just lots of steps really and the end result is a lovely “sausage dog”.

John Montroll is a design genius, and this model uses his “dog base” to sculpt a rather nice dachshund from a square – lots of modelability, plenty of character.

Taken from his book “Origami Sculptures”, this is a keeper, hope you like him too. It uses a stretched variation of his dog base. Try it: sausage

Nice to see readers having a go. Here is Everett’s fold:everett

267: Nollentonk

| wonko

When my sister was little, she used to call elephants “Nollentonks“:

No idea why, the name just stuck. My daughter also likes elephants so i am on the search for a good one. This little beauty measures in at 8cm trunk to tail.

This is John Montroll’s African Elephant. A lovely model that I now regret folding at this scale (I am running short of A3-cut squares, so used an A4 instead). Getting the elephantine proportions and general shape were tough work at this scale, but the model is a good one and the inner nollentonk shone through in the end,

Lovely ears and tusks, waggly tail and nice solid body make this model a winner, one I will fold again.

235: Charlie the Unicorn

| wonko

Now I have been told off by Dr Winston O’Boogie for folding creepy crawlys and scary things and was told I should concentrate on unicorns and rainbows:

This is John Montrol’s Unicorn – a relatively simple fold with a nice horsey shape.

So much paper folded inside, it ends up having a plump body and very thick legs and a lovely twirly unicorn stickey-uppey horney thing

This will do me for unicorns for the moment, although I will be on the look out for another one as the horse shape is one much folded by origami designers as it is quite difficult to capture the equine profile.

214: A Great White Pointer

| wonko

Apparently it is “Shark Week” – yeah, I did not know either until I looked it up.

This ferrocious little beauty is a variation of the blue shark described by John Montroll and Robert lang in their book “Origami Sealife” and there is much to like about the basic form (not sure the picture does it justice).

Lovely gills, beady eyes and toothless jaw, strong fins, shaped tail and a slightly 3d body make this model look like it should swim well and eat big chompy bits out of everything as it does.

Quite happy with this as a first fold – learnt lots along the way

169: A Yabbie

| wonko

Now in Australia, local waterholes and creek banks are often pock-marked with Yabbie-holes:

Yabbies are a sweet, freshwater crayfish that are related, albeit distantly, to the American Lobster more commonly seen off the Florida Coast

It is my brother-in-law’s Birthday today – happy Birthday Rob!!! he lives in Florida and dives for lobsters in his spare time – I thought it timely to remind him of his Australian equivalent.

This is a torturous model on a lot of fronts – a collaboration between John Montroll and Robert Lang from the book “Origami Sealife”.  I shoulda tweaked that it was the LAST model in the book (traditionally the the final model in a book is the most challenging) but began folding it anyway – 3 1/2 hours later, after some serious swearing and no little amount of paper torture I ended up with a delightful model.

Folded from a square cut from an A3 copy paper page, this TINY end model is testament to a superb design as it is all tucked away into a plump body, 8 legs, 2 claws, 2 stalked eyes and a lovely pair of antennae. It looks like it would cook a treat.

Actually pretty amazed that I was able to fold it at all, many times I contemplated giving up (like 1/2 hour in when I discovered my square was not quite … square), or the formation of the 2 pairs of 6 legs via some extremely fine (3-5mm) folds. You know a model is tough when on 5 separate points, after folding a tight model you are instructed to unfold everything, turn it over and fold something new – the planning to get that crease patter is mind-buggering.

You may applaud now, reminds me of the prawns I cooked for dinner last night – throw another shrimp on the barbie Rob, many happy returns for your birthday.