3 weeks

1125: Botticelli’s “Birth of Venus”

| wonko

After acquiring a copy of “Potential Origami” by top Korean Origami designers, I was struck with a choice – which astonishing model should I try first:

It is well known that i love a bit of classical art, and am fond of a fullsome bosom, so decided on Han Ji Woo’s astonishing design based on Boticelli’s painting masterpiece.

I started with a 90cm square of kraft, and intended to give this a try, fully expecting it to fail. My approach to designs outside my skill range is to “fold until it fails or is finished”. I have used this mantra for decades and, as was the case this time around, I discover I have “levelled up” in terms of skills.

The design here is genius. Although it is a boxpleated model, the allocation of flaps to details and proportion evident, as well as attention to the original artwork is outstanding.

From a single sheet of paper, we have a naked lady, masking her modesty with hands and a wicked hairdo. She is standing on an open scallop shell, because … well … that is how she as a Roman Goddess was apparently born. Clearly a little more is now known about where babies come from but it is a striking model version of Botticelli’s classic painting.

I want to tell you this model came easily, and that the shaping was intuitive, but … it wasn’t. I suck at shaping, so really feel like i have levelled up on this model – making the body luscious (yes, I know the breasts are a little “cubist”, but ample and pointed in the right direction. I am particularly happy with the much layered and frizzed hair.

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Bitter Sweet

| wonko

As I approached the date of my retirement, I genuinely struggled with how I could sum up my work-life, and how was going to say thankyou, personally, to so many people I have loved working with.

Collapsed blooms get shaped

It occurred to me that Origami could be my savior, and something hand-made and precious was the order of the day, so set about making Naomiki Sato’s pentagonal “Hybrid Tea” roses – in my opinion the zenith of his glorious rose designs. From a pentagon, with some skill, you sculpt a spiraling bloom of some 25 petals – genius as it is folds only – no cuts, no glue. Originally I was going to present them stemmed, but re-worked the idea to have them sit on calyxes instead.

I gave myself 3 weeks, and it turned out that was not really enough time, as each bloom from go to woe takes just over an hour – even when batch folding. It was a labour of love, and I got it done, and resulted in an amazing coincidence. I listed the recipients, and it totaled 33 – this number corresponded to the number of years I have been working at this current school – it was clearly meant to be.

Exacting pre-creasing

Acquiring paper, cutting perfect pentagons, calculating the relative size different between flower and calyx was the first task. I found if I cut the largest pentagon I could from an A3 sheet for the bloom, then the corresponding largest pentagon from an A4 sheet was perfect for the calyx.

Production-line techniques then ensued – precise pre-creases, pre-collapse wrangling and locating landmarks for secondary petal separation all have to be done first, and at this scale it is fiddly folding, and you need about 7 fingers on all of 3 of your hands. Once the dissected spiral collapse is complete the really hard part starts – shaping the petals to be soft curls in staggered cascades – quite a knack.

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1069: Starlight Kusudama

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Each year for the last 10 or so, as part of the “getting to know you” phase of a new year with my pastoral care group, we fold a kusudama together:

Starlight kusudama construction

The idea is simple, invite kids to sit, learn how to fold a module, then teach it to another mate … resulting in enough modules to assemble a megastructure.

Starlight Kusudama finished

This year I chose a 30 module designed by Vladimir Frolov, a Russian designer, a lovely starry ball.

The metaphor is really simple: “The WHOLE is greater than the SUM OF IT’S PARTS”

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1036: From little things, big things grow

| wonko

Each year, as an ice-breaker/getting to know you activity with my pastoral care group at the beginning of a school year I try to involve them in a collaborative origami megastructure:

90 unit sonobe spikey ball in construction

Many hands made light work of the 90 sonobe modules, folded from Terracey colours (red, black, white). From little things, big things grow, the whole is greater than the sum of the parts (roll out the well trodden metaphors).

90 sonobe unit spikey ball finished

The construction has taken an age – 5 false starts until I discovered the module grouping – in the end it turned out to be alternating 5s and 6s on each vertex of each 6. Each sonobe module contributes 1/3 of a pair of adjacent points – and with careful colour planning no 2 colours are beside each other (well, that is nearly the case – in 2 places I was forced to break this rule, but you really have to look to find them).

spikey ball scale

90 modules take time, and most of the kids in the pastoral care group folded at least one – a true collaboration that results in a lovely spikey ball that will join the other treasures from previous years.

985: Satoshi Kamiya’s Ryu Jin 2.1

| wonko

Some folds are quite the journey, Ryu Jins are no exception. I have already folded the 1.2 and the 3.5, but had not tried the 2.1, relegating it to the “when I have time” pile:

2 point 1 - model

Holiday time is a time of recharge, paper folding therapy is my thing so I embarked on the super-duper-complex journey with HUGE bits of paper. I decided to fold it in 2 halves (two 140 x 70 cm rectangles of red duo Ikea Kraft paper).

2 point 1 - CP

As a bit of paper engineering, Ryu are masterpieces of fitting so much on a single square. The 2.1 is laid out in a similar morphology to the 3.5, with 2 halves of the model on opposite edges of the paper. The Ryu 1.2, in contrast, uses the diagonal and is symmetrical about that.

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921 Leong Chen Chit’s 20 Intersecting Cubes

| wonko

When I first saw this modular, it broke my brain, but knew I wanted to fold it. I looked and looked for instructions and finally reached out to Leong Chen Chit, through connections to Sydney Origami Group on fakebook:

Units for this model are folded from an ‘almost’ half a4 sheet, through an ingenious geometric construction you get a fan fold that can then be mutated into the basic unit. Continue reading →

654: (104/365) Neelish Kumar’s Crucifixion

| wonko

When I first saw NeelishK’s fold of this model I was in total awe of the boxpleating skill it showcased:

He is part of a shared group on Fakebook and to my amazement shared, via photodiagram, guidelines and folding sequence suggestions. Continue reading →

530: Crown of Thorns

| wonko

I am always on the lookout for something to keep my hands busy in the boring bits of the day. At the moment, many of my classes are doing assignment work, when they do not need assistance, rather than sit idle I fold:530cot

This “Star Twirl Torus”, designed by Yuri Shumakov, was a bit of a mistake – I must learn to read the fine print (you know, the bit that says “now repeat this 196 times”) – facepalm.

A simple module, 6 of which interlock to form an overlapping hexagonal star that is part of a twirl that keeps going. I sourced 6 different colours, sort of spectrum-themed and began to fold. Continue reading →

527: Gargoyle

| wonko

I often fold for relaxation and therapy, this design “Gargoyle” by Alessandro Beber is a fold I took up to keep my mind busy during some tough times near Easter:527Gargoyle

I find folding calming, and I started this to keep mentally busy as my Dad got sicker and sicker in hospital. He passed before I completed it and for weeks I put the paper aside, the model became associated with that event. Continue reading →

Schools In (swimming against the tide?)

| wonko

A good friend, Janet, found some marbled tie-dyed mulberry paper when she was recently in Bangkok, Thailand.Glint

Like a true maniac she carefully rolled and carried with her on her travels, returning to Australia she carefully transported it to a place I would also be (Townsville for a conference). paper1

What commitment. Continue reading →