295: WALL-E

| wonko

I am an out and proud Pixar fan, they make movies where animation is almost amazing as the story telling and characterisation:

This is Brian Chan’s WALL-E – a lovely model that has taken me simply an age to complete for all sorts of reasons.

I started with a 52cm square (yep, over a half a meter) and a dodgy folding guide (as opposed to complete diagrams) in RUSSIAN and quite frankly I struggled with this one. I must find a way to buy a book that has this model in it, to see how Brian Chan suggests you fold it because I ended up improvising when there were no instructions that I could follow.

I walked away from this model 3 times, unfolded and re-folded the most complex parts a total of 4 times as I tried to make sense of the next stage. That said, I think the final model is quite remarkable. He is free standing (on stunning caterpillar tracks), has the most amazing head/eyes, is just under 10cm tall and I am totally chuffed with how he turned out.

That you can coax a square of paper into such an intricate and completely detailed model is nothing short of amazing – even if it did take me 5.5 HOURS – yes, that is actual folding elapsed time. Words fail me to express the delight when I finally realised he was going to work (having seriously contemplating abandoning the model twice).

This, for me, is a REAL achievement given how much I had to just work out for myself. Folded from my last piece of lithographic paper (thank you school art department). There was NO paper fatigue and that is astonishing given the lengths that the design requires you torture the paper. I must have some more.

294: Montroll’s Centaur

| wonko

Ever since my first disastrous encounter with a centaur, I have been looking for a worthy replacement:

This model comes close, the proportions work a little better (although, truth be told it looks more like a man standing with a donkey wedged up his bottom, but you get that).

A mch easier fold with plenty of modelling potential, I think the quadrupedal hindquarters are a little out of scale. I did fold it to the directions, but might, next time I fold this re-position some of the features a little. I like the arms and the upper body, although figurative, are well proportioned.

Happy with this as a first fold. taken from “Mythological Creatures and Chinese Zodiac”, worth exploring further.

293: Kawahata’s TRex

| wonko

It was late, I was tired, and this model did not come easily from a baffling set of instructions:

I will fold this again, but for now this is my first fold – rough but the vestiges of a row of teeth, sort of arms, nearly toes and a good tail/body – plenty of scope to improve.

Folded from “Origami Fantasy” by Fumiaki Kawahata, this model is tough at this scale.

292: Montroll’s Rhino

| wonko

I have been exploring the work of John Montroll, and came across this little beauty:

A lovely Rhino, dual horns, lovely ears and a splendid tail, I am impressed with the rhinocerosness of this design, you get a sense of the armor-plating, power and posture of the beast.

Some clever pre-folding and some interesting sink folds to tease stickey-outey bits from flat edges, and the collapse for the head is interesting indeed.

Happy with this as a first fold, my pick of the rhinos folded so far.

291: Hexagonal Prism

| wonko

John Montroll is a design genius:

In his book “A Plethora of Polyhedra” he explores the complexities of single sheet 3d-shapes, and this rather splendid prism caught my eye as something I wanted to try.

I like how the pre-folding teases of open edges up and inside the finished shape which locks itself – very clever Mr Montroll

There are some eye-poppingly complex polyhedra in this book, I shall be trying some more I think.

290: Dachshund

| wonko

Awoke with a banging headache, have laid low for most of the day, decided I needed something simple:

Little did I realise how un-simple this model was. Not hard, just lots of steps really and the end result is a lovely “sausage dog”.

John Montroll is a design genius, and this model uses his “dog base” to sculpt a rather nice dachshund from a square – lots of modelability, plenty of character.

Taken from his book “Origami Sculptures”, this is a keeper, hope you like him too. It uses a stretched variation of his dog base. Try it: sausage

Nice to see readers having a go. Here is Everett’s fold:everett

10 Things I have Learned So Far

| wonko

1. Paper is not paper

This may seem obvious but it is really not. I started this challenge determined to see what I could get copy paper to do and to my surprise it can be coaxed through many a torture.

Wood-pulp based papers are damaged each time you crease them – the crease breaks the fibers and hence weakens the paper at that point. Given most folds have common fold axes and vertices, after repeated manipulation the paper disintegrates at those points first – often just before you finish the model.

I have discovered that large format does not obviate the problem, actually it makes it worse. 80GSM copy paper is pretty fragile, the torsion of a large piece actually stresses common folds and vertices more.

I have folded with tissue foil (well, origami shop’s tissue foil which is different to laminated tissue+foil) which has a lot of cotton in it, and lithography paper – both take creases well, do not disintegrate easily and hold their shape after folding also which is a good thing. I am always on the look out for nie folding paper. Surprisingly, brown paper (as used for kitchen cooking etc) also takes folds well and is remarkably strong. I have also folded vellum (plasticised tracing paper) and it is strange – it is really hard to crease but once creased it stays creased. All papers vary in their re-foldability (the ability to take a crease and reverse it’s direction).

Most papers are hygroscopic meaning they absorb water – oddly copy paper is milled on one side which means it uptakes moisture unevenly causing it to curl and unfold. I have taken to storing my finished models in an airtight box with silica gel sachets to keep them dry. Continue reading →

289: Satoshi’s Mammoth

| wonko

I decided today would be another Satoshi Kamiya model (working my way up to the ancient dragon you see) and so selected his Mammoth, figuring “how hard could that be?”:

LOL

Wow, no I mean WOW! So much technique packed into such a tiny package, resulting in a lovely little pachyderm.

There is much to love about this model – the curly tusks (think Manny from Iceage), hairy fringe above the eyes, the eyes, the woolly tummy, the cutsey tail, the strong 3d shoulders, toes etc.

This took an age – the exacting pre-creasing alone taking over 1.5 hours. there are some torturous collapses and a bunch of accordion pleats but in the end it looks like a mammoth, which is always a good thing.

I learnt a lot folding this, and am really relieved my first fold worked at all – seriously there were 3 junctures where I got up and walked away from it assuming I had stuffed it up – those terrifying moments in a diagrammed sequence when you get to an impossibly complicated stage and it then says now unfold it all and re-fold it a different way.

288: Happy Birthday Gemma

| wonko

A friend turns 40 tonight, and quite likes roses, so I thought a paper construction might compliment the rose bush we were taking as a suitable milestone:

Made from 40 pieces of paper, this is a variation of Maria Sinayskaya’s “Little Roses” kusudama (rose ball), a curious construction that features triplets of lightly bent petals that interlock in threes, making pentagonal vertices – the maths here does my head in.

Was lovely to catch up, Happy Birthday Gemma, and happy house-warming Mark, Gem, Jake and Kit.

287: Fuse Box (Small Flowers)

| wonko

Tomoko Fuse is a genius in designing intricate boxes:

this is called “Small Flowers” because of an incidental pattern the overlapping edges make, sort of looks like aflower. I made it in colour only because a monochrome version would not have been remarkable.

The lid and the base are each comprised of 4 pieces of paper, an interlocking modular that is fairly rigid and would make a nice stocking case or filled with some sweet treat.

Why a “Fuse Box”? Well, Energex had a transformer on the street go pop and our school spent the day without power – all interesting. I thought a paper play on words might be fun.

286: Spiral Star

| wonko

I saw a video of this interesting structure and decided I should give it a whirl:

It is Tadahi Mori’s “Spiral Star” – a lovely fiddly modular using 6 bits of paper that interlock to form a 12 pointed star with lovely spirals near the centre.

If this was not so fiddly, it would make a nice decoration for a festive tree I guess, but even with A4-cut squares it was dense and tricksey.

Quite happy with this as a first fold and, yes, I know I have done my monthly modular but … meh, it interested me so there you go.

285: National Ride To Work Day

| wonko

I heard on teh radio this morning that it was National “Ride to Work” Day and narrowly avoided running over a flock of cyclists near the freeway entrance – it got me thinking what riding to work might be like:

I had a model I was looking for an excuse to try, and initially tried it on paper smaller than recommended (a 2×1 rectangle cut from an A3 sheet) only to find it sort of worked in miniature scale, but decided it needed to be bigger. Our school art department has this paper designed for lithography, thin, light, lovely.

I cut a rectangle 1m x 50cm and this is the resulting fold, quite magnificent if tiny given the huge bit of paper it started as. Quite wonderful if I must say so myself. Designed by David Brill, this masterpiece has much to love – the horse (or more correctly pony) is very horsey, and the integrated rider looks like he is riding – very clever indeed.

I was trapped at work, waiting for a meeting so had a little time to kill – so glad I killed it with this. this scale model lets me build character into the elements, the rider’s knees and elbows, alert horse ears and a mouth. The designer apologized for the thin front legs but I am prepared to overlook that minor detail – bravo Mr Brill!

284: Seated Koala

| wonko

Charming folds are charming whether they take 6 hours or 12 minutes, this is a charming fold:

A figurative koala, seated lazily – lovely rounded rump, flat nose and fluffy ears, not bad for under 20 creases.

Busy day, some of the work I did was mine, you get that.

283: Le Coq De Joisel

| wonko

It is a year since Eric Joisel passed away in Paris. The origami community still mourns his passing:

This proud and “cocky” rooster is a Joisel masterpiece, I feel privileged to fold it. I had a sheet of A2 architectural drawing paper so made a square from it (nearly 1m x 1m) and folded the rooster from that – it was a tough fold to be honest as so much paper is gathered into the body. So tough a fold in fact that the paper failed on both legs and neck – I will fold this again with more resilient paper I think.

I see so much potential in this model – given thinner, larger paper I can see you could model wing feathers, eyes and more – as it is it has a lovely tail, beautiful chicken feet (including spurs), a glorious comb and an up-turned beak mid “cock-a-doodle-doo!).

You too can have a go at this model here, and learn a little more about the life and times of Eric Joisel here. Few would argue that Joisel was the greatest character folder the world has yet seen. I hope his family and friends take solace in the fact that he added so much beauty to the world over so many years. RIP Eric Joisel.

282: Skillman’s Chair

| wonko

Now I freely admit as a kid I was an origami wimp – seeing complicated folds of this “comfy chair” and running a mile, or half-ass trying them, crumpling the paper and sulking. This fold, by Jack Skillman, seemed too hard way back then so I never tried it:

As it turns out, the only confusing part is that you pre-fold a chair shape, unfold it completely and collapse it inside out so all the stickey-outy bits are hidden.

Certainly 12months ago I would have thought this tricksey, but not now. One of the side-effects of the dailt fold is that previously tricksey steps now are automatic to me – oddly I now tackle models really differently and that is a good thing.

This simple exercise in box-pleating is a nice sturdy design with a modern feel to it, even though it was designed by an architect/mathematician in the 60s. Folded from “Secrets of Origami” by Robert Harbin, my oldest book.

Happy finally to try this model, pleased with the first fold of it also – choosing today’s model seemed to take ages for some reason – so much choice I guess.