311: Air Mail

| wonko

“Once upon a time, boys and girls, people used to use hand-held ink dispensing rods to make marks on flat sheets of manufactured plant fibre, fold them, place them inside an envelope of the same material, write a distant geospatial reference on one side, their own geospatial reference on the other. They would then pay for a coloured sticky icon and then hand this package over to a corporation that used to exist solely for the carrying and dispensing of such message envelopes” the old story teller said. The assembled children gasped in amusement, then vlogged about the experience collaboratively via the ether.

Snail mail, you remember that – I like the idea of air mail – this sort of letter has a Terry Pratchett, Discworld sort of feel to it.

Designed by Hojyo Takahashi, this delightful model is just what it says on the label.

Happy with this as a first fold.

310: Tutankhamum

| wonko

On the 4th of November 1922, almost by accident, a water carrier for Howard Carter stumbled across what looked like a step. They had all but given up hope of finding the legendary tomb of Tutankhamun but, on digging they discovered another, and another. By the 6th of November they had uncovered a sealed entrance to a tomb that bore the elusive cartouche of the boy king and so began one of the greatest archaeological discoveries of our time.

I admire an explorer that showed such great restraint – rather than rush is, as he was being urged to do, he covered up the entrance and went away, re-mounted an exploration mission 26 days later to actually open the tomb and painstakingly uncover and catalogue in-situ such wonderful things that belie imagination.

Having made a mask yesterday, I thought I would try another, and what better than a figurative representation of that famed gold and precious stone-inlayed death mask for the boy-king. I have seen this mask when it toured our city museum – it is breathtaking.

Scale was an issue here – it could have been made from an A4-cut square, but I could not tell how much was tucked away so made it from A3. I like that it hints at a snake in the headdress, the beard and overall proportions are nice. With time and a little patience I dare say you could fashion facial features – there is certainly enough paper there to do so.

Happy with this as a first fold – I could do a month of masks, there are lots of designs and a plethora of approaches to origami mask making – maybe that is for another day.

309: V for Vendetta

| wonko

Remember remember the fifth of November
Gunpowder, treason and plot.
I see no reason why gunpowder, treason
Should ever be forgot…

As a kid I remember cracker night – well in truth, it was cracker week because you could buy fireworks and we used to spend the week blowing things up. In retrospect, all that messing around with gunpowder was really dangerous, but apart from some occasional superficial burns and the odd scorched letterbox we came to no real harm.

I am generally not a fan of Natalie Portman – the Star Wars prequels put me off a lot but she has been outstanding in a couple of subsequent movies – “Black Swan” and “V for Vendetta” for example. This is “V”, the psychopath in the Guy Fawkes mask and I am pretty happy with the result.

Designed by Brian Chan, it is an exercise in restraint, as you have a black/white paper and fold all the black inside, then, later, carefully reveal tiny hints of it – very clever design actually. you get eyes, a rather splendid nose, pencil moustache and goatee in a lovely mask shape, nice.

You can have a go for yourself – it is fairly easy and totally appropriate for Guy fawkes day

308: Carmen Sprung’s Kantenmodule

| wonko

I saw this modular and decided I wanted to try it:

Having no idea of scale, I initially used coloured squares cut from A4, but got the colour count wrong – notiing it was in 6 groups of 5, I mistakenly got 5 pages  each of 6 colours – dang.

I think the scale was a bit out – this thing turned out enormous – lovely but enormous. It is really strong, structurally – the multiple triangular cross section modules interlock really solidly and make for a nice shaped ball.

I toyed with the idea of doing this over a couple of days, but in the end I got really fast at folding the modules, and the construction process was really fast also – although it was a little tricksey ensuring the colours were distributed evenly.

Very happy with this model – it looks lovely and takes quite a striking photo also.

307: White Rabbits (belated)

| wonko

Now I know it is not the start of the month, and I missed out on the pinch and the punch because of a horsey thing, but thought I should get in on the act of start of month eventually:

A nice, compact and fairly poseable rabbit. Quite happy with this, although I seem to have misplaced my first fold (completed at school whilst I should have been paying attention to an all important rap battle).

I am looking for new rabbits to try, suggestions welcome.

This one looks more like a hare, but I like the ears and tail, well designed models can be simple and small too.

306: Wolf Alarm

| wonko

At 5:30am every morning, the dog next door explodes in a flurry of barking and howling – I call this our “wolf alarm”:

I think it is in response to an early morning walker on the street beyond, regardless it wakes me from my light sleep and I struggle to return after the wolf alarm has gone off.

This nice model from Roman Diaz is a “Coyote” howling at the moon, but I think it looks like the mutt next door (well, at least in my head it does). happy with this as a first fold, would do it differently if I were to fold it again as the forming of the muzzle is very congested and could be done before hand I think.

305: Melbourne Cup

| wonko

I have had the privilege to fold many beautifully designed models over the course of this project – David Brill’s “Horse” is right up there with the best:

Wonderful proportions, amazing use of material, lovely face and ears, fantastic body, legs and tail – everything that is needed to look horsey infact.

Today apparently a horse race stops a nation – not sure why. I guess the nation is used to being stopped given the recent airline strike but no one celebrated that so -go figure.

Unusually, this model starts with an equilateral triangle – yeah, weird, right? Somehow from that shaped paper the designer manages to tease the right number of stickey outy bits and I, frankly, feel honoured to fold this one. I cut the largest equilateral triangle I could our of an A2 sheet, but bigger would have been better.

There are lots of places where variations in pose are possible, had I the time (and a HUGE selection of paper) I think a group of these would look beautiful. So glad, as a first fold, this model turned out so nice, given the heavy head cold I am currently drowning in.

October, Done and Dusted

| wonko

What a massive month October has been:

During this month I explored the works of Neal Elias, paid tribute to Eric Joisel and much more. Lots of lovely things and a terrifying amount of time expended creating them.

Two months to go until the one-a-day pressure lets up.

304: Wicked Witch of the West

| wonko

Apparently some cultures celebrate halloween, although it is not really an Australian tradition (despite the efforts of the shops) I thought I would get in on the act myself:

This has taken an age – I want to pretend that this is my first fold but in truth this if my 5th, the FIRST to be successful however. Three times I got to step 85 and could not work out what to do before the paper disintegrated – grrrr.

This is, as you can see, quite a detailed model – crooked nose, crooked hat, plaits flying in the breeze, one hand gripping the broom another waving it’s fingers, lovely flowing robes, knobbly knees, shoes, the works.

A very dense model, the body has nearly 30 layers. This was the one I had planned before the radio station asked me to fold something on air – lol – not quite sure what I could have achieved in the 10 minutes elapsed in the interview but you get that.

ABC Radio Interview

| wonko

…so I was approached by 612 ABC Radio to come in and talk about the 365 project, having been dobbed in by Michelle Williams (thanks Shelly) initially for Friday morning. Given I had a fairly full teaching day they re-scheduled to Monday morning as a pre-record in at the Toowong studios.

Over the weekend I also developed a streaming headcold (totally predictable) but soldiered on regardless and completed the brief interview, and folded a little hoodie also in the process – red for studio colours.

I am not naturally at ease talking like that, I get all nervy, but it seemed to go ok apart from a little nervy stammering intially. Terri Begley was very supportive and coaxed me through the thick of it. It was nice to meet her and I hope the adoring public found it a valuable use of airtime.

For those interested, the podcast of the interview is available here

303: Llopio’s Moment of Truth

| wonko

The croud erupts spontaneously with “Olé!” as Llopio narrowly dodges the bull calf’s first charge. His grandfather’s matador cap, too loose for him, slips and obscures his vision, there is an amateur swish of a cape as the bull’s developing horns pass too close for comfort, quick step out of the way and Llopio is finally a bullfighter.

This is “Llopio’s Moment of truth” – the reason I bought the British Origami Society’s compendium of Neal Elias figures. There is much to like in this complex box pleat. from one piece of paper emerges a Matador, Bull and the Cape that separates them.

I like how there is movement, you can sense the drama, a fitting end to my exploration of Neal Elias’ work. This fold is challenging, so much of the design is “mystery meat” where you just have to sort of “improvise” – you would not want to fold it much smaller, the manipulation of layers in the bodies is intense and fiddly and it is not immediately obvious what is going to be what until near the end.

Interestingly, only the matador is box pleated – unusually you torture 2 water bomb bases to get the bull and cape so this is a nice fusion between pure box pleating and free-form sculpture. Happy I have folded this, apparently if you fold it with duo paper the cape ends up being the alternate colour – wow.

302: Pereira’s Jack In The Box

| wonko

If you were ever after proof that “magic happens”, here’s your proof:

This masterpiece of design by Hugo Pereira is a Jack-in-a-box, complete. those who have been keeping up with this blog will remember a previous Jack in the Box by Max Hulme and I must admit I like this one better.

The design engineering alone in this model is breathtaking, from the box to the spring and then to the jack, the details here are lovely and structurally amazing.

So many technical elements here, from intense closed-sinks, folds that cause automatic puckers in the spring and just when you think you are near the end a tight pair of accordion folds to make the arms in almost Elias style.

I am so stoked with this, as a first fold. After an hour of pre-folding, the actual collapse took relatively little time considering the complexity of the model. I had relegated this model the “yeah, prolly not” pile because it just looked too hard – indeed, some of the manoeuvres only make sense if you look before, after and what that part will eventually be used for.

Sense of achievement – tick 🙂

301: Miyajima’s Bat

| wonko

When looking for a suitable model for Halloween, I sumbled across this delightful model from Noburu Miyajima:

The bat is a much maligned critter, particularly in the light of the Hendra Virus here is Queensland, but this model is lovely (in a batty sort of way)

An amazingly well designed model that makes good use of paper, the resultant model being not that much smaller than the original sheet yet containing surprising detail.

Lovely wings, cute little pot belly and legs, fantastic face and ears and those majestic wings – wow.

This is not my first fold – I almost screwed this up once at work but I wanted to get the head right (the original attempt was mutilated and torn),  so sue me 😛

300: Adam’s Llama

| wonko

Post 300 – looking back I am AMAZED I have only done one Llama:

This is Jim adams’ Llama, a tough fold really, not because there are any difficult techniques or numerous steps but because of the thicknesses of paper you end up working with – much more suited to thin paper (and not copy). Not really happy with the hind quarters – the tail is 12 layers thick, phew!

You too can have a go – it is not tricky: Jim Adams Llama

It was late, after a huge and busy day – 65 to go!!!

299: Platypus

| wonko

It is a little known fact that Australians MADE UP the Platypus to see who would be silly enought to believe in it:

Let’s face it – an aquatic, furry mammal that feeds it’s young milk in a pouch, after they hatch from eggs; duck-bill, webbed feet, beaver tail, “see” via electrical sonar through their nose; male with poisonous spines – LOL. No one would be sill enough to believe in that illogical Frankenstein-like collection of bits of other critters, surely.

I have only ever had second, or third-hand experience of a Platypus – NEVER seen one live so I have to rely on others’ account of them.

A relatively simple figurative fold – they cannot all be huge, quite happy with this – I can see large modelability in this figure. Could not work out who designed it, sorry – anyone advise?