413: Satoshi’s Minotaur

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Determined to try something harder, I had flagged satoshi Kamiya’s Minotaur a “must try eventually”:

I also wanted to try my new “envelopener” – an ingenius paper cutter from The Origami Shop that splits a page on a crease – being frustrated at not being able to cut a straight edge easily on large format paper.

This lovely mythical beast is part man part bull but Satoshi takes this to a new level, making the man beastly as well.

So much paper is worked here, starting with nearly a metre square, the resultant model is barely 15cm tall and so dense in places that detailing was very difficult. I love the expression of his face, the arms and hands, hooves and fantastic tail.

Such innovative use of the sheet, you do not realise that the arms end up being about 30+ layers thick. I have seen this model folded by others and it was standing – mine, made from 35GSM brown Kraft paper does not (without the assistance of a wider armature stand I made for him)

As a first fold, I am very pleased with how he turned out – I might fold him again, one day, as I learned a lot from this fold.

412: Satoshi’s Coelophysis

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I have many designs for dinosaurs, few more elegant that the Coelophysis designed by Satoshi Kamiya

This raptor has a marvellous stance, gracious body proportions and a menacing appearance – quite a feat given it started as a square cut from A3 copy paper.

A very well designed model indeed, quite dense in places but very economical with paper, I like this chap a lot – it was a good challenge. At this scale it is more like a Compsognathus.

I had forgotten how much fun Satoshi’s models were to fold, must try something harder.

 

411: Phizz-based Stellated Icosahedron

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The “phizz” unit designed by Tom Hull is a basic building block that can be used for many modulars:

I thought I would start manageable, so devised a 30 unit ball, 6 faces each of 5 colours – total of 30 units. These are easy folding and have a positive locking mechanism so were a good choice.

The tricksey part was to ensure an even colour balance – making sure that no face has the same colour twice. that did my head in a little, and it seemd to take me ages to come up with a construction method where I could easily predict what colour next to use.

In the end, a lovely modular – I may try for something grander, we shall see.

401: Double-Star Flexi-Cube

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It took me ages to even understand what this model was:

An ingenious design by David Brill, modular in construction composed of 3 different types of modules, clustered in threes, hinged together, it is a most perplexing construction.

A seemingly plain cube opens up to show a star, which fits wholly within the cube and is removable.

Flexing the cube makes another star, flexing the star makes a plank, stellated plain and other interesting twisted geometries.

This is a keeper – paper tension keeps it in shape generally but it does not strongly lock, so I may resort to cello-tape on the joints so it can be handled without risk of it disintegrating (as it did to me twice).

The geometry is interesting, photographing it seems not to do justice to the shapes but I am glad I finally nutted it out – bravo Mr Brill.

409: Wedding Blossoms

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A little over a year ago, my daughter as part of the very early planning stages for her wedding asked (in only the way a daughter can) if we could do something different with the flowers:

After much looking around, experimentation and reject schemes we came up with a 5-sheet rose (4 2×1 rectangles for the petals and 1 square for the calyx) secured by wire to make pose-able stems. We have folded for a year, making hundreds of blooms, to be deployed in each of the floral components of the ceremony and reception.

Bouquets

The original idea was to create enough flowers so the bouquet was a little wider than a hemisphere – each containing 3½-4 dozen roses based on 2 colour schemes: the bride wanted dark blue with occasional white blooms, the bridesmaids were predominantly white with occasional sky-blue blooms.

After the roses were stemmed and calyxed, the were wrangled into bunches, stems bent equidistant from the bud to later help in the whole ball effect.

We then bound the wire in white gaffer tape to form a preliminary handle and the tweaked the flowers to be evenly distributed and ball-shaped. On the evening before the wedding we added baby’s breath (gypsophylla) and a sheath of spathyphyllum and bound them with florists green tape (a goopy, stretchy stuff that sticks on contact).

The morning of the wedding I then frapped (macramé term) the handles with white ribbon, trimmed the tail and they were done

– every bit as lovely as I had imagined them, perfect foil to the lovely bridal party.

Buttonholes

Grooms-men, parents and siblings needed a buttonhole – single bloom, amidst baby’s breath, atop a sprig of asparagus fern from the garden.

The scheme was simple – powder blue for the grooms-men to match the bridesmaids bouquets, white for parents and siblings.

We wrapped them with florists tape to store-bought brooch pins, presto, done

– quite smart I think and a nice tie in to the rest of the floral theme.

Table Decorations

To tie in the floral accents, we decided to do something with flowers on the tables, containing all the colours we used (3 shades of blue and white).

Originally it was going to be just a sheath or arrangement, but the bride to be found candle holders so I found wicker rings that encircled those, then we made circular wreaths of randomly scattered blooms.

The day before the reception, we added baby’s breath and twigs off our needed to be pruned miniature camellia from the garden, creating lush and beautiful garlands which, when the candles were lit were really magical. I was a little concerned that the waterproofing spray (a plasticiser I thought might be necessary to stop moisture making the petals droop) would increase the flammability but all was safe in the end.

Guest Gifts

We wanted each guest to leave with a little of the floral loveliness, and also tie in who was at what table, where.

We hatched a plan to make a bloom for everyone, attached an embossed leaf to each (bone-folder to impress “veins”) and hand-written names for all invited guests.

Those that could not make it will receive their blooms via some other means – nice memento of what was a lovely wedding.

408: Buckbeak the Hippogriff

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I will say it, I am an out and proud Harry Potter fan. Amongst the fantastical beasts that exist in the potterverse is a Hippogriff:

Manuel Sirgo is a talented designer and this is a masterful use of (an albeit fraking huge bit) paper.

I am so glad I started large (45cmsquare brown kraft) as some of the wrangling to make the head and feet was pretty intense.

This odd critter is part “griffin” part horse – claws at the front, hooves at the rear, wings and a bird-like head – weirdly wonderful.

I like that the paper is so dense it ends up being free-standing, the wings spread majestically and I am pretty happy with my first fold of it. More importantly, I learned a new trick to spread/stretch and twist stickey-outey bits to get more paper for a hood/hand which will be handy for making other models more details I suspect.

407: Chan’s One-Sheet Rose

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Browsing Origami Tanteidan 12th Convention, I noticed a seemingly impossible fold:

Brian Chan is an amazing designer (Attack of the Kraken is one of his) and this flower is an ingenious, if intense, use fo a coloured square of paper.

If the paper was coloured green one side, red the other, then the way this design turns out the green bits of the flower and the red petals sort themselves out appropriately – amazing.

I only had some glossy red (a cheapo pack of coloured origami paper that loses colour all over your fingers) but persevered with it, despite the mess and the tiny size.

I still have to master the flower shaping, it sort of looks correct (and I have no doubt if i wet-folded or used methyl cellulose I could mould it more naturally , but I am happy I have got the hang of the fold. 

I used a 25cm red/white square and that is hard work – some of the accordion pleats are tiny, but it worked out ok. My second fold was a 45cm brown kraft fold that was easier to complete.

Interestingly, the box-pleating technique to raise the leaf is similar to the “dollar flower” I have been folding from the cut-offs from A3 squares, so found that part of the model really easy. The technique of raising the colour-changed petals for the rosebud is ingenius.

406: Zombie Uprising

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Trapped in a particularly uninteresting supervision (I am a teacher, sometimes we have to supervise other teacher’s classes), I began bending paper unsure what I was going to make.

First I fashioned a hand, devising some lovely slender (skeletal almost) hands and looked at the paper I had left and then it came ot me – zombie hand emerging from a grave.

After much experimentation on the tombstone mostly, abandoning a full cross (yes, I did successfully box pleat one but in the end it seemed unnecessarily fiddly for the concept) I settled on a simple headstone.

This is the second time, whilst doodling, a new model has emerged (the other being superdude) and I am quite chuffed with it.

If you KNOW what you are looking at, it is obvious: basic scenario of undead digging themselves out out the grave; but honestly I had some hilarious guesses from passers by who noticed I was folding and wondered what it was.

I have included the dev sequence in 2 parts (partly because I wanted to document it clearly enough so someone else could have a go at it and partly because I wanted to remember how I did it – the box-pleat on the tombstone is neat, but I have not yet come up with a scheme to eradicate the seam down it’s face.

This is a little early for Halloween, but would love someone else to have a go at folding this to see if the photsequence is stand-alone or needs extra annotation.

Any takers?

405: No Bull

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When I first saw pictures of this Bull, I knew I wanted to try to make it:

I love the pose, the power, the majestic playfulness of this, a proud bull.

There are many junctures in this fold where there are no landmarks, you guess places of folds so this, my first fold, is lucky to look even vaguely bull-like. I will fold this model again, I want to try to fold this from memory. Continue reading →

404: Joisel’s Bandonéon

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I first noticed this lovely little fold nestled amongst the masterpiece that is Eric Joisel’s Musicians, and decided that i must try to work out how to make it:

Now the “purists” amongst you will recognise this as a “Concertina”, but that is splitting hairs, given a “Bandonéon” is square, this is clearly hexagonal, but I digress.

Presenting a tantalising hand-drawn crease pattern idea on his memorial website, I decided to try and work out a method for this fold.

Unlike the original, my design is based on a 32 x 20 grid, making an extra gather in the bellows section (which is not a bad thing) and a simpler join along the long seam (which, sadly, I still needed to use double-sided tape to close).

The geometry of this model is really nice – the bellows almost fold themselves when the creases are laid in – I experimented with the seam in and thought it looked better with the strappy seams out in the bellows.

fashioning handles at the end happens quite naturally if you have been neat, and folding it without any extra creases is possible if you concentrate, making the presentation fold very tidy indeed.

I have folded many of these, they are lovely and, now I have a handle on the scaling factors and geometry there is a knack to making them that is quite easy to pick up.

On the same hand-drawn crease pattern, there is another that supposedly makes a saxophone – might give that a whirl as I seem to be in a musical instrument frame of mind at the moment. very happy with this one however, and need to move on from it.

403: Lang’s Organist

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I was reading the chapter on “box pleating” in Robert Lang’s “Origami Design Secrets – 2nd Ed” (one of my cherished origami books) and came across the chapter “homework” which is this Organist seated at her Wurlitzer:

This model is astonishing for a bunch of reasons. The design is clever – one piece of paper to fashion the player and the instrument, the details of both the player and instrument are well controlled, efficiently use paper and are clearly recognisable.

I upscaled, starting with a 128x32cm piece of brown Kraft paper, used a tape measure to lay in the landmark creases (although I could have folded them, it would have resulted in much more disfiguring creases in the end model so I am glad I did). In retrospect, working much smaller would have been very difficult with my fat, clumsy fingers as some of the pleating becomes very fiddly indeed (32nds and 64ths)

Initially, working with paper on this scale is problematic – simple things like “fold in half” take on epic proportions and introduce inaccuracies which seem slight at the time but compound in such a convoluted model.

There was an “ahh” moment when the box that is the body of the organ swings into place, making the keyboards and footpedals slip into place that was very satisfying.

I enjoyed folding this model, probably will not fold it again, but learned a bit about paper properties and wrangling pleats that will make future folds better I think.

What to do with her? there is the question – the resultant model is quite large (16x14x14cm) and in some places one layer thick (others much more so), but it is stable and surprisingly strong. It even has a music stand atop the organ that even “Barry Morgan” would appreciate. Suggestions?

402: Washi Hex-Box

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This model combines two things I love about Origami:

The geometry of Fujimoto’s Hex box is wonderful, it provided me the perfect excuse to do that which I have put off for far too long. A colleague (thank you Mrs Erizabreth) gave me a roll of hand-made Washi she brought back from Japan many years ago. She had never worked out what to do with it, having fallen in love with it in a shop, bought it on impulse and had it squirrelled away in a cupboard packaged up as new.

She asked if I wanted it, I said yes (having no idea what I was in for). When she left it on my desk and I unfurled it for the first time I was speechless – hand-made, hand-block-printed, with gold and silver foil, the front face is glorious. Flipping the “paper” over, the texture of fibres is also glorious – both sides a work of art.

I have AGONISED about what I would do with it, and today I finally cut it – it was an important moment in my life. This might sound melodramatic, but I have another piece of washi I bought myself 3 years ago, black with gold calligraphy, that I can still not bring myself to cut. there is a special sort of reverence in beautiful things I think.

Anyway, I decided to fold a lidded box from the first cut pieces for 2 reasons – the hex box is my favourite and the paper makes it sparkle like a jewelled box.

I had a little panic, so mocked up the fold with some scribbled on copy paper – it occurred to me that I had NEVER folded this model with coloured paper – I just sort of assumed it worked itself out and the coloured side would show whilst the non-coloured side would hide itself away. Thank goodness, with a little tweak all worked out well.

There is so  much to love about this fold – it is teachable (I taught my Origami Club how to do it – year 9 boys managed it admirably); all it’s raw edged tuck away inside the body of the model, it’s top and bottom are folded slightly differently but nest inside each other beautifully; the top hex twist is lovely – with this paper it appears puffy and sort of quilted.

I am very happy with this, my first really expensive paper box. It is a gift, I envy the receiver but at least I have more of this lovely paper to obsess about.

401: Spike the Echidna

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Ladies and Gentleffolke, may I introduce to you Ms Thelma Tiggywinkle – Eric Joisel’s Adult Echidna: 20120817-163036.jpg

I had folded Eric Joisel’s “Baby Hedgehog” early last year and noticed as part of the instructions that a scaled up version (9 ranks of quills instead of 5, based on 32ths instead of 16ths) would result in a “mother” and he was right – what a mofo of a fold, honestly!

Starting on Friday evening with a 60cm square of brown Kraft paper, I started pre-creasing – dividing up into 32nds vertically and horizontally, then diagonal creasing to create hex-grids which ended up tiny.

I had long been fascinated with the process of forming the quills – crease-crimp/collapse diamonds and then making a zig-zag trough beside one row to raise the next results in lovely paper geometry both on the outside and the underside,

After over an hour each rank of spines, the resultant paper is box-pleated into legs and the ends inside-reverse folded into toes.

The ranks are then teased out to form tail and face – a lovely fold that is soooo very cute although it is punishingly time-consuming.

Very satisfying – folds ONLY, no cuts, no glue, she needs some “wet folding” shaping but she is already very echidna-like. No idea what we will do with her, but for now she is snuffling around our house. Hope you enjoyed the journey as it played out on facebook.

400: Attack Of The Kraken

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There are many of what i would term “legendary” folds in the origami community – few more daunting that Brian Chan’s sculptural masterpiece “Attack Of The Kraken”:

I first saw pictures of this model when trolling around the internet looking for paper challenges: one piece of paper, you bend both a masted ship and a sea monster ripping it asunder – impossible surely. Amidst the turmoil there exists tiny details also – one tentacle contains a shard of ship rigging, another grasps the terrified yet defiant Captain – look closer, is that Captain Jack?

Annoyingly there seem to be no instructions on how to fold this thing – there was, however, a crease pattern adapted from a schematic Brian Chan tantalisingly left beside a display copy of his model so I started working on that. I photo-enlarged sections of the crease pattern and repeatedly folded them until I had discovered what to fold, in what order to make that section of the model work Continue reading →

399: Golden Snitch

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Exploring an Origami Tanteidan Convention book I came upon a model designed by Peter Farina I just had to try:

Being an out and proud Harry Potter fan, I know that the golden snitch is an essential component of any game of Quidditch, this one is a beauty.

Essentially using overlaying fan-pleats, you create the wings and enough paper to tease and shape round to make the body. Initially, my test fold was done in white paper and I found I had to be very careful (copy paper is so brittle) not to tear/split it – the middle section gets really damaged. Continue reading →