Those of you who were guessers for the WTF (What’s That Fold?) #4 will be interested to know that this model was actually a Spider Conch designed by Robert Lang:
I once taught on Palm Island – which is seaward from Townsville, North Queensland. Whilst there I loved to snorkel the reef nearby. Whilst doing so, I managed to find a pair of “spider shells” that I still have today.
Ok kids, this week’s WTF (What’s That Fold?) #4 is a doozie, it is from a fairly old publication and is NOT land-based (that is what is called a hint people).
Step 1 (the fish/camel base) looks like this:
You may have guessed I am a bit of a fanboi when it comes to the works of Satoshi Kamiya:
As previously stated, my wife and I spent some time in a rainforest cabin and that inspired me to have a go at his Lyrbird – a deliciously complicated crumple that needs to result in a characteristic fan tail, 2 side tail things, wings, legs, body and head.
My wife and I spent some time in a rainforest cabin – whilst there I folded this week’s WTF#3:
On a tropical theme, I left the model for the cabin owner as a thank you for a lovely time away.
A simple, slightly asymmetric fold that teases an odd number of petals, stamen and stem, cleverly managing the layers so the flower face and stamen would be one colour, stem another if I used duo paper.
I was looking for a simple fold and amongst my Tanteidan magazines I spied this figure, designed by Yamaguchi Makoto – must try it with colourful paper.
No one was able to discern it was even a flower – very disappointing people!
So I hope you are getting the hang of this, follows is this week’s WTF (what’s that fold):
the successful guesser can have the model if they assist me with the postage (if necessary), so put your best thinking caps on and begin guessing.
After some clever asymmetric bending, you get this at step 9:
After some inside reverse folds and assorted bending, you get this:
With a few swivels and a bit more bending, you get this:
…this is your LAST CLUE – any closer to guessing?
Give up? CHECK OUT THE ANSWER – no guesser this week – get your act together people!
Anyone who knows me realises I am a huge fan of the Alien movies, the first one is, for me, close to perfect science fiction horror:
I had been aware of Kade Chan’s Alien design for ages, had the crease pattern and wrestled many times trying to make it with no luck. I had relegated this to the “give up on it” pile – there are a few that have just beaten me for the moment.
Kade posted a near complete video tutorial, suddenly this model was back on the radar. The video is pretty clear – you should have a go – it is NOT a beginners model but the techniques for forming the main features are pretty clear.
So I set about a test fold, in Litho paper – the paper gave up half way through, splitting on most major creases, but I learned the basic collapse and some of the featuring before it gave up so resolved to fold it with something more durable.
I cut a 55cm square of Kraft paper off the roll and, very carefully, began folding. This, like most models, relies on accuracy for things to work out – a part of a mm out here and it compounds when you do accordion pleating, and this model has so many layers because of the amount of the sheet that is hidden.
I like that most surfaces provide layers that you can then texture in the modelling, sculpting them in graded steps to create carapace, armour and small beautiful details like the rib cage and prehensile tail.
The alien as envisaged by the movie franchise took on shape and general morphology from the host it bursts through the chest of – this one is fairly certainly humanoid and so posing it I found myself anthropomorphising its stance a little. I used a little MC to ensure the pose was rigid, clamped details in place until the paper was dry, then mounted him on a textured circular base and am quite chuffed with the result.
This was WTF (What’s That Fold) #2 – stay tuned for more paper bending
I have, of late, been exploring different papers and decided some nice paper was in order. Needing to get out of the house for a while (unfortunately from the cool aircon to the blistering heatwave), I bussed into the city then walked to an art supplies shop in The Valley called “Oxylades” but am always on the lookout for other local suppliers – sadly there seems little demand for it here so far.
They have an interesting collection of art papers – some beautiful light weight textured papers that would be amazing to work with – most much heavier than 180GSM, most lovely but brittle art papers suitable for painting and drawing on. They have a large collection of hand-made mulberry but it is card stock and would not take folds well.
I headed to their racks of specialist papers and drooled at the Unryu tissues they stock – suck lovely things, fibres visible, thin and strong – decided on a black/grey and a lime green. I also bought a sheet of “natural fibre” paper made from banana and flax – very beautiful and lumpy but should prove interesting.
On arriving home, a parcel from The Origami Shop had been delivered and was baking on our front porch. retreating to the cooler interiors, I broke into the package to discover my VOG (paper made popular by the Vietnamese Origami Group – VOG, you see) paper had arrived.
Huge sheets (folded into quarters for transport) of textured, colourful gloriousness – cannot wait to fold that let me tell you.
I also purchased a couple more “envelopeners” – fantastic little accurate crease splitters – you fold paper then run this little gadget along the crease and the sheet is split precisely on the crease, no more scissors – yay.
Fab day, all be it hot and a long walk, but worth it. I now have a fair selection of specialist papers – you really can tell the difference when working with good paper but I still really like brown Kraft paper also to prototype/practise complex folds on as it is strong, thin and cheap as chips – I wish I could say the same for the papers I acquired today.
So, last week’s fold became obvious, I gave LOTS of clues and many guessed not only what the model was but also the designer and the book it features in – nice work.
On a different tack this week, I present the first clue in WTF#2:
Take guesses as to what this will become (assuming I can achieve the model and it does not end up a scrunched up mess in the bin).
Depending on how it turns out, you can win either this actual model or a refold of it (the refold will be tidier I suspect).
Thinking caps on, suggest away (and expect less clues this time)
After Step 25, the model looks like this:
And a little later, it looks like this:
After a LOT of open/close sinks, it looks like this:
And with some nifty wrangling, it looks like this:
Follow that up with some shaping and modelling and you have this:
A critter only a mother could love – a Xenomorph that is fairly faithful to the HR Geiger original – Alien, designed by Kade Chan and wrangled to it’s final shape by me.
I have yet to apply MC to stabilise and pose this chap, but already I like him a lot – the paper is so very thick in many places (my prototype fold actually disintegrated in my hands as I was folding it – litho paper fell apart at important creases) – I had to get creative with the shaping as, although the video instructions are great at getting the base, the modelling and shaping is not covered well at all.
The Weekly WTF#1 (what’s that fold) had to be a Satoshi model, and I had been itching to make this little beauty ever since I was aware he had designed one:
Initially, I folded this with a odd end of a kraft roll, starting with a nearly 40cm square (nearly in that I discovered it was not quite square), but found it very small for my fat clumsy fingers.
I resolved to fold it neater, so went larger – second fold (the one pictured) is a 60cm square of brown Kraft paper (no, it is not green, and I know of no easy way to make it so).
There is a LOT to like about this model, and some concerns – some of the steps are fairly poorly explained (given the nature of some of the manoeuvres I can not imagine how that would be improved) and some of the folding is through so many layers that without help this model does NOT stay as folded.
I decided to do wet-folding, with a little MC (methyl cellulose) to fold, mould and let it dry before moving on – this lengthened the time to make the model, but in the end made it most beautiful. Some of the subtle shaping would ONLY be achievable with foil-core paper or via wet MC folding.
In the end, this is the most frog-like thing I have encountered that was not actually a frog. the details are astonishing even to me (and I wrangled them out of a flat, uncut square).
I ended up with 2 – my first fold, whilst smaller is different to the larger one, they both have interesting postures and attitudes and I am torn as to which one I prefer.
I am sure I will fold this one again – he is so cute, but I think I will wait until I have suitable thin green paper – the model is so well designed that it’s tummy is one colour, rest of the body is the other – so I will be hunting paper that is 2 shades of green front to back (or perhaps making a bit of double tissue – we shall see).
As a weekly treat, I am starting a WTF competition (What’s That Fold?) that can net the successful guesser the model if they want it.
If the model is to be posted, I just ask your assistance with the postage, that is as complicated as it needs to be.
WTF WEEK 1: Precreasing done, any guessers?
I first saw a pair of these lovely things, folded in white, clearly dancing to impress each other and put it on my list of must try models by Robert Lang:
A lazy afternoon over the Christmas break, I took a 60cm sq or brown Kraft paper and, over cups of tea, mince pies and chats with my mum, I bent this bird.
This model is everything to do with implied movement and pose, sadly the paper made a limp, lifeless bird and so it crystallised my resolve to try Methyl Cellulose to stiffen the model, allowing me to pose outstretched wings and wobbly backwards knees.
The result is lovely – not sure how I feel about models that require either foil-cored paper or wire armatures or chemical sizes/stiffeners to achieve a presentable figure but I like this one a lot. I made a simple florist wire stand, briefly toyed with (then promptly dismissed) the idea of making it’s pair.
There is much technique to like in this model – as usual, Lang has beautifully convoluted and torturous geometric ways of getting rid of huge amounts of paper to reveal a fairly accurate morphology.
Gifted to Helena, as a symbol of hope, courage and speedy recovery – kindest regards.
A tool in many origamist’s toolbox is a goopy substance called “Methyl Cellulose” (MC) – it is a chemical that is used as a size (keeps paper crisp/stiff), gelling agent (it is the stuff that makes KY Jelly so slimy – no kids, that is NOT a new aeroplane flavour) and there is even a food grade MC used in cooking (although I think only the Japanese truly like the slimy textures it produces).
I have had enormous difficulty finding this stuff – Oxylades (a local art shop) ordered some stuff, turned out to be Ethyl Cellulose which is not PH neutral and will, eventually discolour and degrade, taking whatever is coated with it.
Digging through my cupboards, as you do, I chanced upon a tub of powdered adhesive goop that we used to use to make finger paint for the kids when they were little tackers. A tiny amount dissolved in warm water makes the most delightful goopy gel-like liquid (that we used to add powdered pigment to to make the best finger paint in the world).
Educational Colours “Mix-A-Paste”, it seems, is Methyl Cellulose – we had some in the house for over 20 years and I did not realise – *Face Palm*
Origamists use it to re-stiffen paper, laminate it with other paper (double tissue is something I must now try), pose models and so on and it was not really until the last 2 models I folded that I realised the appearance of the model would be improved if it did NOT splay open – a common problem with very dense folds and domestic (non tissue-foil) papers.
Up until now, I have been creasing, then while the creases were sharp spraying the models with a clear, matt, lacquer – this at least prevents the folds from unfurling due to humidity but does little to tidy many layers and dense seams.
The last time I tried a bird similar – the Great Egret – when I say similar, the legs and neck/head were similar – very dense, lots of wrangling resulting in limp, broken joints and an un-poseable mess in the end. The model was relegated to the bin as it almost entirely failed to stand up or stay together. I suspect I could have “saved” the model with MC.
I will let it dry, see how it turns out – I dislike models that do not look after themselves – ie need assistance to stay together, I steer clear of models that are generally not possible with all but specialist papers – the foil cored tissue foil is something I have yet to use – lots of models work only if the folds you place stay folded.
Looking for something festive, inspired by “Robbie the Reindeer” on the telly, I decided to fold this challenging model by Robert Lang:
Masterpiece of design, I had to measure 13 landmarks (by scaling measurements based on 70ths) and then I folded triangles subdividing the surface, using those landmarks as vertices. Then you bisect every angle in each triangle and that gives you the folds for the base.
After a collapse from hell, and some clever manipulation. accordion folds and sinks to raise the points on the antlers, some shaping and a good measure of swearing, you end up with this magnificent beast.
I love Lang models for all sorts of reasons, not the least of which is that you can “feel” the mathematics in many of his folds. This one was certainly designed using his computer program “treemaker”, and is embodied proof that with a little care it is possible to imagine and design anything of arbitrary complexity in origami.
A glass headed pin to complete the nose and we have Rudolph, then not so much a reindeer as an elk (apparently they are touchy about this – who knew?)
This beautiful model completed my tree setting, bringing in the festive cheer for the family gathering – I hope it found you with similar good will to all mankind.
Sir Terry Pratchett, one of my favourite authors, imagined a world like no other, a “disk” world, held aloft on the back of 4 gigantic elephants, standing on the back of a giant star turtle called “Great A’ Tuin”:
The breadth of imagination, depth of character, intricacy of story arc and obvious love he lavishes on his books are an amazing legacy. Everyone who is a fan starts somewhere – for me, it was the book “Mort” but there are dozens, each clever, funny and beautifully written.
When presented with such a lovely TURTLE it seemed only natural to attepmt to pay homage to a literary favourite of mine, so set about assembling the component bits. It was as if the stars had aligned, having just folded ELEPHANTS I set about making 4 of them, only to realise they were too big and so made 4 smaller ones.
The disk was paper craft – a circle of cardboard, MAP of Diskworld on top, covered with paper, toilet roll holder cut to be support and bracket that elephants could rest on and a balance for the pitched back of the turtle – voila.
I am quite chuffed with the end result – partly because it matches the image I had in my head, partly because it works as a whole, and is able to be dismantled to boggle and the component parts as well.
I posted photos on terry Pratchett’s Facebook page, I hope he sees them – I hope the model brings his even a small amount of the joy his writings have brought me.
When our kids were little tackers, we went on a summer holiday to Mon Repos, North Queensland, to see the turtles laying and hatching:
During the night, exhausted loggerhead, green and leatherback turtles haul themselves out of the surf, up the beach, gig holes and lay eggs – on the same beach they, themselves hatched from years earlier.
When I first saw this turtle, I assumes it MUST have been papercraft – you know, glue, cuts – very neat but none the less it could NOT be a single bit of paper.
Browsing my JOAS Tanteidan Convention books, to me delight, I stumbled across Satoshi Kamiya’s instructions (HUNDREDS of them) for the turtle (not sure what version) and knew I had to give it a try.
The shell corrugation/tesselation alone is a masterpiece, but then you wrap the unused paper around and inside (forming an internal support for the shell to keep it peaked) and form flippers and a lovely head.
I am so thrilled with this, my first fold – I am itching to fold it again, but cannot for the moment justify the nearly 8 hours necessary, to then have 2 turtles in the house. I cannot imagine folding it smaller – I have seen it tiny but I am not sure my fat clumsy fingers would let me achieve it as so many of the shaping manoeuvres are millimetre precise when folded from a 60cm sq.
I love this model, it takes pride of place in my paper shrine. I have resisted the urge to tape it up solid, as it holds it’s form without assistance – genius design.
…what can one do with a turtle I ask?
