444: Wolf Spider

| wonko

I have these lovely bits of Lotka and was looking for something to be my first fold with this new paper:

I chose Brian Chan’s Wolf spider partly because I had not folded it before and partly because the “milk chocolate” fibrous nature of the paper reminded me of the natural colour and texture of the spider itself.

The first cut is more painful than the first fold on a sheet that is roughly rectangular – the issues with most hand-made papers include rough edges, uneven thicknesses, odd fibre bundles in unfortunate places and a lovely mottled colour distribution.

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Published

| wonko

It is not every day that I get a model published, less frequently (like never for me) in the British Origami Society Journal but …

Ballerina Kit, an original designed for my little friend dancing Kit made it into the June 2013 edition

What a lovely (if slightly late) birthday present indeed.

443: Gettin’ Crabby

| wonko

As a member of JOAS (Japanese Origami Society) a present arrives in the mail every now and then – the Tanteidan magazine. Although it is written in Japanese (and I can not read Japanese) there are lots of fun things to try, occasionally amazing models to try:

Now I know I should be marking, but I have all this amazing paper and when presented with a folding challenge I get a little OCD about it.

This lovely crab, designed by Jason Ku, is a mathematical masterpiece – teasing the legs and claws from edges of the paper, shaping the carapace and the final, tidying does not just happen by chance. Continue reading →

442: Ryujin 1.0

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Satoshi Kamiya’s Ryujin series is legendary in the Origami Community. Starting at the relatively simple 1.0 (folded here),  the next iteration is 1.2, then a new morphology 2.1 culminating in the insane 3.5:

Whilst I am not sure I have the time nor skill to even attempt 2.1 (let alone 3.5), my attempt at 1 is chronicled here.

After finding much discussion about it on the HK Origami Forum, and only being able to find a blurry (published by Satoshi himself deliberately blurry) I reasoned “how hard could this be?” Continue reading →

At Loggerheads

| wonko

I have been a little down, sick and my hands are not working as well as they should be so needed something to boost my spirits:

I took a sheet of 35x35cm Olive Tant and decided to try and re-make a model I have only ever achieved once, much much bigger. Logic would suggest, in retrospect, that it should not have been possible – the paper is too small and too thick, but I sort of decided I would stop when I could not fold anymore.

The net result is quite my favourite bit of bent paper at the moment – a lovely little baby Loggerhead Turtle (designed by Satoshi Kamiya), posed with a little MC but she is beautiful. Sure there were things that would have worked out a little better if the paper were thinner, but I am stoked it worked – it is a jewel indeed.

This is not my first fold of this model – I last folded it in 70cm Kraft and that too is a lovely thing, this little treasure however is nicer IWHO.

 

441: Ballerina Kit

| wonko

Most parents know little girls go through the “I want to be a Ballerina” stage:

This is a wonderful thing; dance, culture, beauty and movement are all things that make our lives richer. Few go on to be professional ballet dancers (more’s the pity, few fit the fragile stick-insect archetype) but learning dance improves coordination, flexibility and overall fitness.

A lovely little lady called Kit has started ballet – she is gorgeous and will be fabulous, so thought it appropriate to celebrate by designing an original model inspired by the work of Stephen Weiss (girl in a dress) and Claudio Acuna (hoodie) that captures the special elegance of a child and her first tutu.

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440: Satoshi Kamiya’s Lion

| wonko

I had one last piece of Nicholas terry’s “Tissue Foil” and a little time on my hands so decided to try and nut out Satoshi’s Lion:

This lovely little model is a right pain to fold – some astonishingly complicated twists and turns that are not really well explained in places – some of the odd sinks and manipulations to encourage the body shape were very challenging to understand.

After nearly completing it, I then decided to repeat the process with a piece of mid-tan Tant (newly purchased and arrived) and that also was a challenge – not because I was now unfamiliar with what needed to be done but rather that the paper was so thick that it became very difficult to complete folds.

I amazed myself by completing both – fairly happy with them – I learned lots along the way and, should I fold them again (and yes, I am not against the idea)  I think I can do a lot better, now that I know what goes where. Continue reading →

439: Nick Robinson’s Penrose Triangle

| wonko

The “Penrose Triangle”, also known as a Penrose Tribar is an impossible object:

If you look at any vertice it makes sense but the shape, as a whole, cannot exist … well, until now that is.

When I first saw folds of this I was intrigued, knowing a folder on Facebook, he suggested I approach the designer, Nick Robinson, who graciously shared his design with me (isn’t the interweb amazing). Continue reading →

438: Jason Ku’s Bicycle

| wonko

Perusing a Tanteidan, I noticed a crease pattern challenge, set by Jason Ku, and filed it as a “that’s impossible” fold:

Needing to unwind from a hectic and punishing term at work, I cut a 55cm square of light weight Kraft paper and set about working out, geometrically, where the myriad of creases were.

Although there was some regular geometry to place landmarks, there were some “mystery meat” creases that I just sort of fudged really – professionals would have measured it but I know I am an amateur.

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437: Perambulator

| wonko

When I first saw photos of this model, I could not believe it was folded from a single sheet, without cuts, folds only:

In case you were wondering, this was WTF (What’s That Fold?) # 8. I was determined to give it a go. Noticing it was made from hundreds of pleats, and given the crease pattern folded down to 64ths in places, I upscaled the suggested paper size (to a 70cm square of 80GSM brown Kraft) to allow for my fat, clumsy fingers to make the creases.

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WTF (What’s That Fold?) # 8

| wonko

I saw this AMAZING design, and figured it could not possibly be made out of ONE SQUARE without cuts, or glue and became determined to try and make it for myself:
I found a crease pattern but little else to go by, so sort of wrestled the initial creases into place as best I could. Continue reading →

436: Sydney Opera House

| wonko

Anyone who knows me understands my fascination with the Sydney Opera House, as a kid I saw the sails of it being built:

Set magnificently on Bennelong Point right in the heart of the harbour, it together with the Sydney Harbour Bridge (no, do not panic, I am not making that) are quintessential Australian icons.

Googling one day I stumbled across a design idea from Gerwin Sturm (2007) for a box pleated version of my fav building on earth, and some vague explanations of how it “should be possible to collapse and shape based on a 32×32 grid”. Continue reading →

WTF (What’s That Fold?) #7

| wonko

…so it has been a while I know, and it is raining, and I am too lethargic to do much more than bend paper so I thought it a good plan to do another WTF competition.

This fold is experimental in that I only have a kinda-sorta vague idea how to do it, but will bend it like … well … me I guess

After taking a 70cm square (yes, it is HUGE) and dividing it up into 32nds horizontally and vertically, I lay in some odd diagonal zig zags (you can make them out if you squint one eye, close the other, raise your left leg and hop on the spot), you get to this (the stage before the first round of collapses:

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435: Satoshi’s Phoenix 3.5

| wonko

There are a number of models in the origami world I see as “legendary” – the Phoenix (version 3.5) is one of those:

When I bought Satoshi Kamiya’s works book volume 2 I knew I would one day put myself up against this challenge, I also knew it would take me a while to master it.

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434: Sipho Mabona’s African Elephant

| wonko

When I first saw this model, folded with elegance, playfulness (in outrageous colours) and joy by Sipho Mabona, I wanted to try it myself:

Designed recently and soon I hope to be included in a book so I can purchase the diagrams, I stumbled across a video tutorial and had to have a go. Used as WTF#6, I first folded it in white, then decided to give my newly purchased VOG paper a go.

I had a huge piece of burgundy/purple paper, rough texture on both sides and decided to use it for this model – so glad I did. The texture looks a little like craggy elephant skin, the paper holds it’s form and was a delight to fold.

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