3hrs

340: Thorin Oakenstaff

| wonko

May I most humbly introduce to you, Thorin Oakenstaff Esq, Dwarf, gentleman, most of the time:

I am so pleased this worked, even better than I had imagined. I found a hand-drawn crease pattern by the late, great Eric Joisel – I had been hankering after his dwarves you see and wondered how the heck you could fold something like that.

Well, the crease pattern sort of made sense, and I did a rough test fold on an A4 square only to realise it was waaaay too small to model and copy paper was way too brittle, so thought I would upscale it on brown paper. I cut a 56cm square from plain brown paper and began.

After an hour of pre-creasing, and a collapse from hell, you get a base that has enough bits to model into a human like critter with a tall hat – gnome, dwarf, call him what you like there is no escaping the fact that this is bloody amazing.

I started shaking with excitement about an hour before finishing, realising it was in fact going to work after all (after walking away from the collapse twice) and must say he is lovely – there is character in his face, poise in his posture and a spring in his step.

I feel honoured to have folded something inspired by a drawing done by Joisel – I would argue the worlds greatest character folder – I can see me trying this one again, now I know what goes where – each time you fold it there would be sufficient variables to ensure you never duplicate the little guy – so neat.

As an after thought I decided he needed a walking stick, and then decided he also needed a name – “Thorin” from a LOTR dwarf and “Oakenstaff” because that is what I tried to make him as a walking stick. I hope you like him (anyone actually reading that is) – I think he is amazing.

337: Hercules Beetle

| wonko

Woke up, brain would not stop, so thought I would punish it with a super complex Satoshi Kamiya model:

This is his Hercules Beetle and it is snarly to fold indeed – even at this scale (I started with a 54cm square) there are terribly fiddly bits.

The details here are a little dizzying – six thin legs, a pair of pedipalps, wings, separate wing covers, a lovely 3d abdomen and a snarly pokey-outey head thing.

I think, even with lithography paper, this model was a real challenge – I would gather something like tissue foil would be more suitable. Still, very little paper fatigue after nearly 3 hours of folding and such a dense body fold, this is quite an achievement to actually finish it.

I have a few Satoshi models still to try, including the Ancient Dragon – his design style is distinctive. I am amazed at the ease I now leap into a complex open sink, hideously complicated collapse and snarly swivels.

304: Wicked Witch of the West

| wonko

Apparently some cultures celebrate halloween, although it is not really an Australian tradition (despite the efforts of the shops) I thought I would get in on the act myself:

This has taken an age – I want to pretend that this is my first fold but in truth this if my 5th, the FIRST to be successful however. Three times I got to step 85 and could not work out what to do before the paper disintegrated – grrrr.

This is, as you can see, quite a detailed model – crooked nose, crooked hat, plaits flying in the breeze, one hand gripping the broom another waving it’s fingers, lovely flowing robes, knobbly knees, shoes, the works.

A very dense model, the body has nearly 30 layers. This was the one I had planned before the radio station asked me to fold something on air – lol – not quite sure what I could have achieved in the 10 minutes elapsed in the interview but you get that.

289: Satoshi’s Mammoth

| wonko

I decided today would be another Satoshi Kamiya model (working my way up to the ancient dragon you see) and so selected his Mammoth, figuring “how hard could that be?”:

LOL

Wow, no I mean WOW! So much technique packed into such a tiny package, resulting in a lovely little pachyderm.

There is much to love about this model – the curly tusks (think Manny from Iceage), hairy fringe above the eyes, the eyes, the woolly tummy, the cutsey tail, the strong 3d shoulders, toes etc.

This took an age – the exacting pre-creasing alone taking over 1.5 hours. there are some torturous collapses and a bunch of accordion pleats but in the end it looks like a mammoth, which is always a good thing.

I learnt a lot folding this, and am really relieved my first fold worked at all – seriously there were 3 junctures where I got up and walked away from it assuming I had stuffed it up – those terrifying moments in a diagrammed sequence when you get to an impossibly complicated stage and it then says now unfold it all and re-fold it a different way.

261: Satoshi’s Pegasus

| wonko

“I am Pegasus, my name means horse…” – I am old enough to remember a folksey song by Ross Ryan about a mythological winged horse:

I had some time, amidst trips and other things today so thought I would give Satoshi Kamiya’s Pegasus a go – it has been taunting me from the pages of his book.

This delightful horse is remarkably horse-like (which I guess is a bonus) but also has the most lovely wings, I am very pleased with how it turned out.

Dainty little ears, lovely head, nifty legs – one bent as if about to take flight, with hooves, a flowing tail, just a masterpiece of design that takes such a big sheet of paper (over 30cm square of tissue foil) and reduces it to a lovely little 8-10 cm model).

There were many instances where i had to just get up and leave this model for a while – tricky, precise and the layers get so thick – I cannot imagine attempting this with regular paper. Keeping the legs sharp and shaping the body through all those layers was tough work – very happy with this as a first fold however.

Yes, a discrete round of applause would be appropriate.

233: Kawahata’s Locust

| wonko

Now I have not folded a model from Fumiaki Kawahata before because they looked so difficult:

The instructions I have come from her lovely book “Insects Volume 1” and are all in Japanese (problem number 1) and use a completely different set of sumbols to indivate things like repeat, turn over, sink, spontaneously combust etc which are also in Japanese.

I ended up just going on the before and after diagrams to make sense of what was happening when – not a very efficient technique on a 120 step model with dozens of “repeat behind” that I had to guess but, you know, that is part of the adventure -right?

This is a lovely model on all counts – the body is plump and 3d, the wings delicate 9single layer) with wing cover, feet including lovely sproingy back legs all int eh right place, lovely little antennae. plump and pleated abdomen – wow!

Originally I was going to use 18cm tissue foil and I am soooo glad I chose larger as the fiddly detail near the end would not have been possible with my fat clumsy fingers in a smaller format. I could not imagine trying to tackle this with normal paper as some of the sections are 12 layers thick and were difficult maneuvers even with tissue foil.

I will fold more from this book – the techniques are amazing and the models so lifelike – surely a rival to Robert Lang in terms of realism and complexity of model.

You may applaud now, I do deserve it for managing to get to the end with only a little bit of swearing.

196: A Werewolf

| wonko

Now I have been a great fan of “Being Human” – particularly the character that plays the werewolf George:

I found this astonishing model by Kade Chan purely by accident – I was googling the telly show to see if there were more episodes planned and found reference to this neato origami model of a werewolf, complete with staring eyes, pricked up ears, ferocious claws and a lovely tail and I knew I had to try it.

This is such a well designed model – entirely doable with copy paper (I used a square cut from an A3 sheet) – with some precision and patience the body comes together without fatiguing the paper too much and astonishing detail is possible because each part is only a few thicknesses of paper, except the arms with are a little bulky towards the end when shaping the shoulders.

I particularly like the claws – scary things they are, with each finger posable and a snarly opposed thumb.

I could only find a vague photo sequence so had to guess in some stages by looking backwards and forwards towards the finished fold to work out what to do at times. This IS amazing, yes, you are right to be impressed – I am.

I will accept a round of applause, and cash to accompany any orders you have for me to fold you one of these.

155: See Hear and Speak No Evil

| wonko

About a month ago I bought a huge sheet of tracing paper. Well, I call it paper but it is actually a type of opaque plastic called “vellum”. For my birthday fold I decided to see what vellum could do:

The paper was 42cm square (cut from a 42x60cm rectangle) and straight away I knew it would be tough – vellum does not like to be folded but once it is, hates being unfolded.

This INSANE design sculpts 3 wise monkeys Mizaru, Kikazaru and Iwazaru and places them under a palm tree via some miraculous paper torture. See no evil, hear no evil and speak no evil is a pretty good life philosophy but there were evil words muttered whilst this fold was wrestled into place.

Getting the monkeys to look monkey-like with the density the body ends up being is a real challenge. facial expressions, such that they are, and arm postures alike were tough fought, but I am pretty happy with the end result.

I have learnt a lot from this exercise – vellum can be folded, but fatigue shows itself as splits, particulalry at the pointy ends. It hates being re-folded in the opposite direction on a fold (reversed), is VERY strong, once folded it stays there – consequentially, this model is rigid and is not trying to unfurl (much as I imagine tissue-foil behaves).

Will I use it again? not sure – when my tissue-foil arrives along with my Satoshi book I now have a point of comparison, I am honestly surprised the model worked at all, but will accept congratulatory applause now.

You too can have a go here – be warned, this is NOT an introductory exercise.

Happy Birthday to me 🙂