388: The Lion King

…now many of you know I am travelling overseas real soon. Whilst in London, we decided to take our pick of shows playing at London’s West End, and decided on “The Lion King”:

I then got part way through the fold and posed a development shot on Fakebook for people to try and guess what the model would end up as. I am pleased to say that Janet C was the successful guesser.

This model is lovely – a real mask, folded with a larger bit of paper it would be a person-sized thingy, neato with design details. Designed by Victoria Serova (with instructions in Russian which made it an interesting challenge), it has a lovely 3D muzzle, sleepy feline eyes and potential for modelling a lovely mane.

Next time I fold this I think I will rough up the mane a little, still, very happy with this as a first fold.

384: Squiffy “Woombye” Larch

Ladies and Gentlefolk, may I introduce young Squiffy Larch, “Woombye” to his friends:

During a mad weekend, we visited Woombye Pub for a fantastic lunch and I noticed they put on their square tables, a beautiful big square of brown paper.

Naturally I put 2 and 2 together and got 7, and decided it needed to be folded into a gnome, and Squiffy was born.

The paper is amazing, takes folds well, is tough and the resultant gnome is the largest I have folded so far.

Quite happy with the face, he has a lovely grin amongst a full beard, noble nose and a quaint, slightly sozzled look in his eyes. His hands were crying out for something drink-related so I invented a beer stein and all was good.

Will organise to send Squiffy to Woombye – he belongs in a bar. He is very happy (that will be the pint he is working on) to be joining the ranks of the “other” seven dwarfs.

377: Balthazaar Quercus

So, it emerges that Dweezil has a little brother. Ladies and Gentleffolk, if I may introduce Master Balthazaar Quercus, aged 6¾:

I was asked to liberate this cute little chap from the flat sheet of lithography paper he was trapped in as a parting gift for a colleague. Aware this may create precedent, this is my first COMMISSIONED dwarf (my charities will be well pleased with the extra injection of funds).

I took what I had learned from wrangling Dweez’ and refined the model – this is free standing, on a base (a bit of wood covered also in litho paper offcuts – like the one I used for Mortimer). I liked the sitting on a stack of books idea, so pierced a stack of three with some structural wire that goes into a hole in the base and goes up Balthy’s bottom, carries on up his back and across his shoulders to support him.

The result is charming – I think I nailed the facial expression (although how a 6¾ year old dward has such a full beard is something only another dwarf could answer) and am getting quite good at the whole pointed, curley shoes thing.

There seems a demand for dwarves, they are all different indeed and this one was folded entirely by memory (quite proud of that, given how unreliable my memory is). If YOU want one, have your people call my people, we can agree on the finances (charity days are numbered, once ALL the 365 origami debt is cleared then I guess the funds should be redirected to the paper wrangler).

374 Dweezil Quercus

I have pleasure in introducing to you Master Dweezil Allegory Quercus Esq, or Daq to his friends:

Dweezil loves to read, and can often be found with his nose in a book, idling the day away. Fond of mysteries, amazing adventures, current affairs and other dwarfish literature, subscriber to “Rolling Stonework”, “Wood Working Monthly” and “PlayDwarf” (but only for the articles), he is very well read.

My attempt at an original Joisel Gnome, using the crease pattern from my newly purchased Joisel treasury book, I wanted this little chap to appear bookish, nerdy and absorbed. I folded 4 hard cover books – it seemed natural to have him perched atop a stack of books.

I fashioned a set of glasses, because all that reading underground, with poor lighting would play merry hell to even the keenest of dwarf eyes. He also has cutie curly toed shoes, a necessary fashion accessory for the dwarf about town.

In the end, I like this little chap a lot, he seems full of character and life. I think he might be a worthy addition to the School Library for their year of reading theme because it clearly shows that it is not just humans that like a good tale. I crowd-sourced the name – Quercus is the genus of most OAK trees, a continuing theme and “Allegory” because it is cool – thx Lindy and Julie for your help.

I vodcasted some of his genesis on Kondoot, if you are interested.

Dweezil will live, strangely enough, in the School Library, at least for a while. Our RE Department had a timber lantern they were throwing out so I purloined it as a suitable dwarf-enclosure and now have him ensconced within. I fashioned labels that make him look like a preserved museum specimen, and have placed “Warning, do not feed the dwarf” labels on the outside to warn the young people who are likely to try and mess with him.

All in all, a nice character study – it is interesting because, although his base fold was similar to all the other dwarves I have folded, his personality became apparent as I folded him – as though the paper knew how it wanted to end up and I merely channelled it. I do not understand that process but am constantly delighted by it.

371: Mortimer Greenoak

Ladies and Gentlemen, may I introduce Master Mortimer Greenoak Esq. A young but not inexperienced forest dwarf who has a particular talent with timber:

This lovely fellow is destined for greater things but I am thrilled with him, my second Eric Joisel-inspired dwarf.

It was hot, I needed to get out of the house for a couple of hours so took a large square of paper and the ourPAD to out local library and sat, and folded. Interestingly I also conversed with complete strangers who gathered to watch the paper mangling – they were interested and I was relaxed enough to explain what I was attempting.

In the end, I made Morty slimmer and so made him look younger, and played around with the face a bit – another step closer to mastering the face, will keep at it. he is quite tidy apart from his beaten up face – I ended up modelling a pendulous nose and pushed out his cheekbones to suggest eyes under the brim of his hat. Quite happy with the beard and mouth though.

His posture called for a walking stick, and I envisaged a base that would allow him to be displayed easily. The name? It just seemed to work, and references his eventual owner in interesting ways.

He is not free-standing, I do not know how to make them so (the ankles and feat are so thin that they defy attempts to support the weight above. All versions of this model I have seen are plastered with methyl cellulose (apparently the Origamist’s goop of choice) but I think that is cheating a little.

Determined to solve the display issue, I cut a rectangle of timber (shock, horror, I picked up a SAW), covered it with the same paper he was made from (the sheet off-cut actually), drilled a small hole nearly all the way through and then made a wire brace that fits inside him neatly and exits down one leg, so he is pose-able now. I added a bent paper clip amongst the folds of his elbow to keep it bent – it kept wanting to straighten because of the thickness of layers there – all acceptable cheats I think for the longevity of the model.

369: A Wren

Took a leisurely walk through some rainforest and noticed these perfect blue wrens, flitting from trunk to vine:

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Exploring a new book called Origami Essence by Roman Diaz, this little beauty was amongst the models I have decided to try.

I like the “wrenny”ness of this model. Some lovely techniques here for this keeper of a freestanding bird model

368: Brent The Unicorn

Now I am aware that a certain “Brent” recently had a birthday, and on that birthday I folded a creepy crawly, so thought it appropriate to counter the scary with “unicorns and rainbows”:
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This is Roman Diaz’s Unicorn, lovely thing – mane, tail, beautiful ears, splendid horn.

Happy Birthday (all be it belated) Michael the Brent – may you live long and prosper. Folded amidst the rainforests of northern NSW

362: Young Buck

Amongst the plethora of models I still have not yet tried, there are some beauties:

This is Roman Diaz’s Deer and it is a lovely specimen indeed. 10 points on his antlers, proud stance and a spring in his step.

This model, though lovely, was a cow to fold – hand drawn instructions that were not to scale, step 41 I missed altogether, which caused no end of peril and a re-fold (so sue me).

In the end this is fantastic – you get a real sense of the animal, the proportions and stance feel quite natural, the ingenious mangling to get enough points for the antlers amazing and the wrangling to get the majority of the paper tucked away to reveal the body nothing short of breathtaking.

Diaz has a unique style, this model features closed sinks in abundance (quite difficult to do well) and so provided me with some valuable practice.

361: Cicada

For me the sounds of summer always include the trill of cicadas:

This is Robert Lang’s “Periodical Cicada” which is similar to the adult form we hear but rarely see. They spend most of their lives underground, emerge as wierd wingless mutants, clumb up something and moult, leaving the most beautiful exoskeletons behind.

Many a summer day was spent as a kid collecting these and terrifying my sister with them … well, kids are kids I suppose.

There is much to admire about this fold – the layer management, proportions of body to wing and ensuring there was enough for some lovely legs is one amazing design. Folded from an ebook on my iPad (why have I not been doing this before???), it was a nice way to spend an afternoon whilst an afternoon storm rolled in. I folded it big (60cm square) and cannot imagine folding it much smaller without extraordinary paper.

It is a relief to have achieve this, as I had a model fail before it (a hand-drawn set of spanish instrucitons started out a bit iffy and after 2 hours went nowhere – you get that sometimes).

358: Pandora’s Box

Come this time of year, we ALL engage in a sort of origami, with varying success and neatness – wrapping presents:

This is Yami Yamauchi’s “Pandora’s Box” – a devilishly clever fold that makes a beautiful cube that once folded is near impossible to un-fold.

The instructions suggest fold it part way, put something precious inside and close it up, only to watch the faces of the receiver as they try to open the gift without tearing the paper – lol.

An ingenious box folded from fifths – originally I was going to fold this in white, then remembered some rather splendid stripey wrapping paper and that solved 2 problems with the one roll really as I used the stripes to work out the proportions – 5×3 stripes = fitfhs of a decent size, hooray. There are many geometric constructions for making fifths but they often leave creases in the paper as you make them and I wanted it to be as blemish free as flimsy wrapping paper would allow.

In retrospect, it ended up being almost exactly the size of my Rubics Cube, lovely thing.

356: Great Egret

Well, when I say great .. it is  … ok :

For the size of paper I am amazed how small this bird ended up, so much paper is folded into the body and legs to reveal the essential egret shape.

A lovely sold body, slender (although I would have liked to have made them thinner, alas the media would not let me), nifty serpentine neck and simple head – all you would want in an egret I would say.

I am not sure whose model this is – anyone like to help me identify it? This is 356 meaning there are a total of 10 more models left – getting exciting it is.

Like this? Want it? BID for it now.

353: Lang’s Praying Mantis

Wow. You know, sometimes a set of instructions for a model are so well designed that it is a pleasure to fold – time just … goes – so it was with this little beauty:

Robert Lang is a design genius, using mathematical and art sensibilities he has distilled what is essentially “mantis” and worked out ways of folding away everything but this essence.

Six beautiful legs, front two “prayey” ones with claspers, glorious head with inquisitive antennae, approporiate proportioned body and, well, wow, just wow.

I am not going to pretend that I did not struggle with this, but after yesterday’s model I was determined to go for accuracy, so necessary with so many accordion pleats. The legs are soooooo thin – painful to fold but amazingly brown paper survived without any paper fatigue.

I am so please with this model – all aspects of it. I folded opened-out paper clips into the legs to give them strength so she can stand freely and so the “knee” joints stay bent – 20+ layers of paper are really hard to bend and I envisaged accidentally snapping off a leg whilst trying to shape it.

I will fold this again, should I ever get some more suitable paper – needs to be tissue thin but really strong – normal paper will just not work. Bravo Mr lang, your figure is a masterpiece and I for one feel honoured to have folded it.

352: Satoshi’s Ancient Dragon

Some folds are good for telling you that you still have much to learn – this is one of them:

An ASTONISHING model, that took me an age to almost achieve, so many different techniques and punishing to the paper. I started yesterday morning with a 60cm square of brown paper determined to keep folding until either I totally buggered it up, the paper disintegrated or it worked.

As it turned out, errors (small inaccuracies) in folding early on, and a few misinterpretations of unexplained folds meant that later stages were more complicated and hence less tidy.

I have learnt a lot from this fold – there are some breathtaking manoeuvres and heart stopping moments when you turn the page and the next instruction is “unfold everything” but in the end I am satisfied that I got a vaguely “ancient dragonny” model and more importantly I now know what goes where. I will fold this again and am sure that second time around the result will be tidier but take a moment to consider the details:

8 horns, skull, eyes, jaw on the head alone, lovely toes, 4 of them on each of 4 feet, amazing wings that look like they are flapping, leathery scaled body (a ridgetail, for sure – Potter fans agree?). The body, at it’s thickest, has over 40 layers which makes some of the shaping and final modelling tough work. I am at a loss to know what sort of paper you could do this with – I am however amazed with the brown paper – it did not tear or fatigue even once – long after the folder had sworn, stormed off only to return later and keep trying.

I am really glad I tried this model, a useful reminder that I am no master of the art, merely this guy who bends paper,

351: Diaz’s Stallion

Roman Diaz is one of many talented Spanish origamists and with this model he captures something of the proud noble stallion:

there is much to like about this model – apart from it being a nifty use of the fish/camel base, the posture, proportions and attitude evident in the horse are present in this little model. He is also free-standing, on 3 legs, neato.

A slight mis-calculation in scale made this model really difficult to fold – the thickness of paper and tiny details made shaping a real challenge – I will fold this bigger because there is much model-ability here, truly clever design.

I got caught up in a much more complicated fold and completely forgot I had no fold for today, so searched the list of “must dos” and came up with this one. Happy with this as a first fold.

350: Little Devil

This cutie little devil is such a snarly fold, but was a lot of fun because the design was well thought out:

Jun Maekawa models are always well planned but this little beauty started much bigger – folded from a 60cm square, the resultant model is barely 13cm toe to horn and I am so glad I decided to use brown paper instead of regular copy paper – the thicknesses are 17-23 layers in places – wow.

A lovely set of hands, splendid demonic tail, horns, frown and a cutey tongue – this guy is a masterpiece that has taken me an age to fold. I started earlier this afternoon to cheer myself up after attending a funeral, and this evening he is finally finished.

I have seen miniature versions of this (including one folded by Jun himself that is only a couple of cm tall, in a bottle) and I am buggered if I can work out how you could fold it much smaller – it is so fiddly in so many junctures.

I had no idea on this, the first fold, what was what – I will fold this again  now I know how it works – it is not a speedy fold, so many layers but I see extra modelling potential in the face – so much more could be made of his expression. Although he is meant to be a little devil, he is rather cute and free-standing also, using feet and tail the tripod is effective to offset the weight of paper folded into the body.

This fold achieved, it means I have only 15 models left in this challenge – bring it on.