There is always time to make a little peace in our world.
It takes incidents like those that unraveled yesterday to realise that peace is a choice we make as participants of the world on which we live. Continue reading
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484: We are Groot!
Not sure if you have seen it but I enjoyed “Guardians of the Galaxy” – nice escapist buddy movie whose adventure that does not withstand much scrutiny from a plot perspective. Love the characters, particular Rocket Racoon and Groot.
When I first saw Groot on screen, I knew he was perfect origami material, resolving to design something similar to my tree model for him, but Luciffer Chong beat me to the punch with his simple yet effective Crease Pattern.
I see influences all over for this model – lovely joisel-like hands, Acuna-like arm formations, I am sure I will fold him again – might be fun on some rough textured hand-made paper also. Continue reading
478: Ku’s Fairy
Often I find highly technical folding is mentally cleansing – that complete absorption in meticulous detail lets you lose yourself:
Jason Ku is an engineer and origami artist unlike any other – having marveled at his bicycle, I was determined to find something else of his to try.
I had dismissed this fold, featured in a Tanteidan convention book I peruse periodically as too hard, but given my skill level has raised (attributable directly to my structured wrestling with Kamiya’s Ryu Jin), I thought I would give it a try.
To my astonishment, the folds came quite easily, breathtaking collapses and “unfold everything and re-fold it this way” moments seem just to work themselves out and the result is pleasing to me at least. Continue reading
477: Rooster
I want an origami rooster (in red) to live somewhere in our new kitchen, so set about exploring rooster form with a pair of masters and their individual approaches to rooster form:
I “warmed up” with an Eric Joisel “Le Coq” – a fold I had tried years ago and not really mastered so I patiently and carefully folded from a 60cm square a lovely rendition (well, in my eyes at least). the Joisel model is economical with paper and seems to focus on the feet and tail, with an almost caricature head comb and waffle.
I then, after a cup of tea, girded my loins and set about folding Satoshi Kamiya’s Rooster. Using the same size piece of paper, there are hundreds of steps, many of which were astonishingly complicated 3d collapses that had originally scared me away from trying it – indeed 2 years ago I would not have been able to fold it at all.
There is much to admire with Kamiya’s vision of the bird – body and head with comb/wattle are amazing, full wings and a suggestion of a tail are wonderful, legs and feet seem (to me at least) almost an after thought, although the legs do have spurs and the right number of toes, I found them less generous than they needed to be for the proportions of the model – the poor chook would not be able to walk or perch. Even posing it I had great difficulty propping it up on the little spindly toes. It appears to have “barbie” syndrome – you know, Barbie the doll has impossible proportions, right? Continue reading
475: Timber Wolf
Leafing through “Origami Sequence” by Quentin Trollip, I am struck by the quality and quantity of amazing designs packed into that book, and the range of skills his models brings to the table.
There is this house, at work, that has a Timber Wolf as their house mascot, so I have been on the look out for one to fold (I assumed someone would ask me to have a go, that never really happened, so I did it anyway).
This wolf is clearly howling, there is much movement and drama inherent in the pose, and I placed a “moon” within howling distance in some shots because it seemed to need it. Continue reading
471: Folding Chair
Needing to clean my brain, I looked for some box-pleating (as that is absorbing, fiddly and it is difficult to to do or think anything else while doing it):
I came across a design for a folding chair, folded in 24ths and decided to give it a go.
470: Osteichthyes
Osteichthyes or BONY fish appear from fossil evidence as far back as 420 million years ago when they appear to have differentiated from cartilaginous fishy things. Fossil records are sketchy but shapes and morphologies are visible in traces in very ancient rocks.
This odd origami attempts to hint at the faint fossil traces left in a rock of a conventional bony fish and it does a pretty good job for such a simple fold. Continue reading
468: I am Pegasus, My Name Means Horse
I am old enough to remember when a folk singer named Ross Ryan released a campy song about flying horses, and given that is an ear-worm of a song and it has just turned “Year of the Horse” for Chinese New Year, I thought it was an omen on what next to fold:
This is “Pegasus” by Dong Viet Thien from my newly arrived VOG2 origami book. A lovely use of a square, with some of the largest wings of this style of model I have seen.
Folding Algorithms – Sato Rose
Much of Origami is algorithmic (algorithm = procedural solution to a problem). A rabbit ear is an algorithm, one knows how to fold it on a corner – double rabbit ear is the same solution, folded two simultaneously. Petal fold is also a standard maneuver which got me thinking of the Sato Rose algorithm.
I like this algorithm particularly because of the free-form nature of much of the folding, and the way it seems to “fit” a pentagon. I decided to use the same folding algorithm but try it with other regular polygons – I tried triangle(3), square(4), pentagon(5), hexagon(6), heptagon(7), octagon(8), nonagon(9) but gave up on the decagon(10).
The algorithm involves “nearly” bisecting each vertex to form an echo shape at the centre of the sheet – you then halve that internal echo to create a slightly offset echo and use that as the basis of a “kawasaki twist” Continue reading
466: Hedwig the Wet-Fold Owl
Exploring my new VOG2 book, there are many lovely things to try but this model uses a method I have not been brave enough to try until now – wet folding.
The idea is to take heavy paper, too thick to fold conventionally (it would crack, split and otherwise be finger-bruisingly impossible to sculpt) and apply WATER to it before coaxing it into shape.
I used watercolour cartridge (27cm square) – a thick board-like paper that snaps when bent dry. Using a damp rag, I applied water to front and back and immediately the sheet transformed into this malleable leather-like slab. Continue reading
Green Tree Frog
I have recently spent time in a cabin in the woods – well, in truth, it is a cabin among some semi-tropical rain forest in the border ranges in northers New South Wales – a retreat for body and mind:
Having made some “double tissue“, I was itching to see how it took folds and I remembered a green thing I had folded way back as part of the 365 project – Robert Lang’s Green Tree Frog. My first attempt was small, white and not very detailed so I thought it might be fun to torture some double tissue with that design.
463: Going Crackers
Contemplating buying Christmas Crackers, you gain a sense of waste and expense – they are hideously expensive and full of stuff no sane person would actually want:
…so I thought about folding some.
I am fond of a twist, and whilst exploring the maths of a hex twist, I discovered a method for making a pentagon-based twist with rolled seam and nice turnovers that seems to do the job admirably and also naturally results from a square. Continue reading
462: Samurai Helmet Beetle
Having ordered the book “Origami Masters Bugs – how the bug wars changed the art of origami” I was itching to fold a bug:
Robert Lang is a master paper engineer, I have a few of his books – this is from Origami Insects Volume II and I decided to give it a try – it was way outside my skill ability so I sort of resolved to keep folding until … I couldn’t work out what to do next, if that makes sense. In the end I managed all of the detailing (although some not very elegantly).
The resultant bug is astonishing – the legs are jointed and end in claspers, the head, cephalothorax jointed, it has antennae, horns and is really bug like. Continue reading
461: Lang’s Butterfly
Originally I was approached by a blog reader who wanted to know how a particular part of this model worked. Given I had never folded it before I had to admit I did not know, but would love to find out:
This is a torturous model by Robert Lang from his book “Insects and their Kin” – torturous because most of the detail originates in the MIDDLE of the sheet, via some astonishingly complicated manipulations. We tease 6 legs, abdomen, 2 antennae from the middle of the page, leaving large expanses of largely un-folded paper for the 2 pairs of wings.
I have wrestled with this for an age – not sure the instructions are very clear (particularly layer management late int he piece) and certainly are not noob friendly.
As a first fold I am very happy with the result – not sure I wold fold it again, I do not really like the way the body sits and the clumsy layering at the wing junctions but it was a fascinating exercise in accuracy none the less. I say clumsy but I know of the design genius to engineer such a shape, so please Mr Lang do not rake this as a criticism, I remain in awe of your paper prowess. Continue reading
“You Shall Pass!”
Sometimes we all need a little magic in our lives:
If anyone can get us past the Balrog and on beyond Mount Doom, Gandalf can.
Made from a square (and the scrap cut off to make it a square to make the staff) for a friend who, like all of us, is a valuable and important part of this world.