730: (180/365) No Frills

Exploring Tanteidan Magazine 138, I noticed a rather lovely Frill Necked Lizard that I had not yet tried:
This is Gen Hagiwara’s Frilly, a torturous fold that spends lot of time isolating legs and tail from the large corner that would become the frill and head.


Continue reading

727: (177/365) Anibal Voyer’s Pegasus

I am Pegasus, my name means “horse”:

I have had this “must try someday” pile for ages, thought I would give it a go. The fold sequence is tricky and that was not helped but the fact that the square I started with was not .. actually … square. Continue reading

725: (175/365) 145 Point Sea Urchin

So I ended up scoring an unexpected free afternoon so decided that serious paper torture would be fun:

Gridding then a breathtaking collapse took 4 hours to begin with. I knew I was up for a marathon fold to finish. Annoyingly I did not get this finished before fatigue took me – sometimes you get that. Continue reading

724: (174/365) School Holidays!

After a brutally busy term, it is time to recharge, dance a little, be thankful for the good things that surround you:

This is Jeremy Shafer’s “The Dancers” – a charming little pleating exercise that takes a square (in this case a 15cm Japanese foil square) and, via a clever set of collapses, isolates 2 people, joined at the hand. Continue reading

719: (169/365) Jason Ku’s Duck

If it walks like a duck, quacks like a duck and looks like a duck, it probably is a duck:

This is an intense little model that eats paper like few others. The body is heavy and shaping I found difficult because of the many layers. Continue reading

717: (167/365) Michael LaFosse’s Le Papillon de Nuit

Le Papillon de Nuit translates, roughly as “The Night Butterfly” – a charming fold with a lovely detailed abdomen:

Unlike the other La Fosse butterflies, this one works and then re-works layers on the wings, making the finished model smaller but unique in shape. Continue reading

716: (166/365) Michael LaFosse’s Mudarri Luna Moth

Catching up, finally, and continuing exploration of the form, this is a luna moth: apparently the main difference between a moth and a butterfly is that moths typically do not have winds that meet above the body – I may have just made that up:

I like the slight “swallowtail” formation here – lots of work pre butterfly formation in getting proportions right makes this seem graceful. Continue reading

715: (165/365) Michael LaFosse’s Butterfly for Russell Cashdollar

Yes, I know, it is a day late, but i have been busy marking, so, yeah:

This is another Michael LaFosse butterfly – more fancy than most with the pleaty zig zags adding decorative touches. Continue reading

714: (164/365) Michael LaFosse’s Butterfly for Tony Cheng

Continuing my exploration of the butterfly form, where better to look than a lovely papillon from Michael LaFosse’s “Butterflies” bible:

This lovely little flapper again uses bicolour paper cleverly, has a nice efficiency of final model size for starting paper size and was fun to fold. Continue reading

713: (163/365) Roman Diaz’s Goat

Scrumbling through my “must fold list” I came across a curious hand-drawn diagram set from Spain and decided to give it a whirl:

After much torturing (I started with a 35cm square) the result is a rather lovely goat. I think this is my favourite farmyard animal so far – lovely proportions, fantastic modelling potential. Continue reading

711: (161/365) Rikki Donachie’s Butterfly

Cruising teh interwebs for today’s fold, a butterfly design was shared on the Sydney Origami Society’s Fakebook feed:

This is Rikki Donachie’s Butterfly, a lovely simple but effective butterfly design. Continue reading

707: (157/365) Tumasek Butterfly

Browsing a BOS convention booklet, I came across a rather nice butterfly designed by Ronald Koh:

This is the Tumasek butterfly, I folded it in duo yellow/green paper making it a little like a cabbage white butterfly. Continue reading

705: (155/365) Jo Nakashima’s Monkey

This adorable cheeky monkey is a masterpiece of design:

Using the back colour of the paper to highlight the face and ears, then working a nice body, lovely long tail and all. Continue reading