938: Angelfish by John Montroll

As a member of Origami USA, I get access to publications, diagrams and a community of folders world wide. It and JOAS are important communities for folders from Oz as we are so far (physically) from everywhere:

Every year, OUSA decorate a Christmas Tree at the American Museum of Natural History in New York. members are asked to contribute models to hang. Continue reading

936: Naomiki Sato’s Hummingbirds

Cruising around on Fakebook, as one does, I can across a photodiagram series from Naomiki Sato:

Lovely little hummingbirds, folded from 15cm square patterned paper, from bird bases.

I discovered he published a variation also, so thought I could give that a try. I think I like the wider tail one better, but they are both so cute. I have yet to see an actual hummingbird so have no real idea how morphologically accurate this is. Continue reading

933: David Brill’s “Robin”

I have been a fan of David Brill’s designs ever since I read his book “Brilliant Origami”. Such a lovely touch, breathing life into paper:

This Robin is delightful – I saw hand-drawn diagrams on David’s website and then professionally drawn diagrams in the latest Tanteidan Magazine and knew I needed to try it. I particularly like the free-form nature of the hand-drawn version, making it a bit more of an adventure to fold this bird.

The shape, management of colour change and general model stability is wonderful in this model. There is nice sense of volume, beautiful 3D head, and an animated pose. The subtleties in fold here are such that I found all 5 of them (yes, I got a bit carried away) are all slightly different, making almost a family grouping. Continue reading

932: Clever Girl

In a classic scene from the first Jurassic Park movie, a hunter realises he has just been surrounded by hungry, angry velociraptors, and utters the words “clever girl” before being ripped to shreds:

This delightful mode is really simple to fold, and belongs to that stable of models whose proportions are perfect, detail is sufficient, form is elegant and stable as is – a mark of clever design.

There is lots to love about this little snapper – the head, the placement of the haunches, the gentle curve of the tail – fabulous.  Continue reading

931: Sipho Mabona’s Fugu

I have had this model on my “to do” list for ages – I had shied away from it because of what I perceived was a brutal precreasing sequence and impossible collapse:

That said, with a little large scale and some accurate pre-forming, the laying of the corrugations was fairly straightforward – all based on halves. Laying crenelations across these were fiddly in low light, and had I realised they would be angle bisecting squares later then I think I could have been more accurate. Continue reading

930: Ground Control to Major Tom …

…take your protein pills and put your helmet on.

I have waited an age to fold this model – I was waiting on finding some large format duo paper. When visiting IKEA, I came upon delicious 70cm wide rolls of duo Kraft paper (black on natural and white on natural), and bought a bunch of rolls. 

Folding a 24×24 grid on a virgin square of white/natural Kraft, the collapse lines laid in, the collapse proceeds to the first stage then you re-work each stickey-outey bit. Continue reading

927: It’s All About the Base

One approach to paper folding starts with a “base” – a form with flaps and general morphology that suits an end goal.

A well-designed base is a thing of beauty, and a flexible tool.

This base, a mutated fish base has really useful properties as demonstrated by these two wildly different folds, both designed by Jose Ma Chaquet from Spain. Continue reading

926: Tiger, tiger, burning bright

There are lots of origami tigers – few actually look like tigers – you know, the stripey thing. This model is radically different:

Using a HUGE square (I hand-made a large piece of double tissue – black and yellow), you start with a birdbase, then torture the paper for 2 days to create a pleated ruffle either side of the back ridge that is then zig-zagged to reveal colour slices that become the tiger stripes.

This model is really really intense – it took me ages to even work out what half the folds mean, let alone how to achieve them. Thankfully the double tissue was thin and terrifically strong, so it withstood the torture unscathed. Continue reading

925: Crouching Dragon

Origami dragons and wyverns seem to be a bit of a “holy grail”, with the more complex gaining almost mythic reputations for breaking folders spirits when they attempt them:

I came upon the diagrams for this charming model shared on fakebook, and it took a moment to hunt down the designer – Shaku on Flickr. Continue reading

924: Crawler Excavator (aka. A Diggosaur )

Often Origami books are organised such that the simpler models are at the front, more challenging folds towards the back. “Origami Pro 3 – Machine Origami” by members of the Korean Origami Association is organised such and this model was the last one, designed by Jang Yong Ik:

Starting with a 60cm square of thin crisp Kraft paper, you begin tiny grids, then collapse the edges only, then form a preliminary base, then bird base, then begins a layer management exercise from hell as we thin down and divide the points to make the bits that would later be details. Continue reading

923: Concrete Mixer (aka. A Mixosaur)

At the risk of a family intervention, I present to you my first fold of Yoo Tae Yong’s “truck mixer” from the origami book “Origami Pro 3 – Machinery Origami” from a group of members of the Korean Origami Association:

From a square, via a very useful base, we arrive at what eventually looks mechanical but up until you begin squaring things up could also be an animal. This furthers my theory that heavy machinery is the living embodiment of once-thought extinct dinosaurs. More work to be done here. Continue reading

918: Procrastination Panda

Now if we were looking for a mascot for procrastination, I think a panda is the perfect animal because, well, from all accounts, they just couldn’t give a flying f*ck:

It seems they are endangered. My guess is it is due to them losing interest in most things (except eating bamboo) including sex – a real deal breaker genetically speaking I would imagine. Continue reading

917: Triangular Mouse

It is a little known fact that mice used to originally be triangular – the closer to a right angle triangle, the more genetically successful apparently*:

This charming model is designed by Makoto Yamaguchi, a quirky fold that I found when browsing Tanteidan 106. Continue reading

915: (365/365) Chris K Palmer’s “Flower Tower”

I have a long and terrifying “fold me” list of models I will one day get around to – this was on it:

An excruciating fractal tessellation that eats paper like few other folds, based on spiral collapses of a dodecagon that then gets turned inside out to make the next level to collapse.

The unfold and re-collapse stages (I did 3, but theoretically could keep going getting smaller and smaller) looks like it is going to hell in a handbasket, then it sort of just sorts itself out in a magic sort of way. Continue reading

911: (361/365) Tiny Teddy

There are many bears out there in the origami design community, and I have folded most of them:

This is Robyn Glynn’s “Teddy”, a charming bi-color fold that looks cuddly and seems quite poseable. Continue reading