Having recently purchased a bumper pack of 6″ duo paper, I was itching to fold something with it. Given we are in a new wave of Covid-19 (Omicron), I thought a virus-like kusudama was in order:
This is Xander Perrott’s lovely modular design “Minaret”, a 30-piece ball of wonder.
Each piece is based on a 1: root(3) proportioned rectangles, intricately collapsed into beams with tabs/pockets on each end.
Continue readingLooking for a model to welcome in the new year, and also to further my Crease Pattern solving ability, I hoped this model would serve both purposes:
Part of a book I have helped edit prior to publishing, this is 1ctzH8jm0N2’s “Bone Dragon”, a CP and photodiagram sequence from the forthcoming book “Ori-Fancy 6”.
I started with a 90cm square, I divided into a 32 grid, then located the required diagonals, then begin allocating mountain and valley orientation to the creases before attempting the collapse.
There are lots of details here, and the initial collapse generates most of them – I buggered up the head collapse (rather I found the intricate point in point structure that would eventually become the horns too hard to do initially) but found it easy to do post-collapse, and was initially flummoxed by the feet structure until I realised a series of sinks needed to be closed-sinked, and another set needed to be open-sinks (hopefully this will be made clear in the final photo diagram annotations).
The body ends up being 30+ layers, making the necessary crimping for shaping really difficult with thick paper (I used natural Kraft paper) – there is a nice “bulk” to the body, and the body feels solid – thinner paper would make shaping less torturous.
Continue readingTo celebrate the release of his lovely new book of modular polyhedra (must get me one), Fergus Currie offered an early morning (for me at least on the opposite side of the planet) workshop on how to fold his second stellation of a cuboctahedron:
I set an alarm, awoke at 1am and folded along with Fergus.
I like this modular a LOT – each vertex is a single piece of paper – it works well with paper that has only one side printed or printer paper. The design is ingenius, the angles odd and exacting but you get into a groove and they make sense in the end.
I went into production line, and using the template to establish the initial odd division, I found that using a fine ball stylus and ruler it was easier to lay in the intermediate creases with the accuracy to make the vertices crisp and accurate.
Once I had 24 units, I then interlocked them in groups of 3 using the narrow tabs and pockets – these interlock really tightly and I could not imagine trying to do these later. I then joined the triples as they tile on longer tab-pocket sets that slide together with a little encouragement. Eventually the units combine to become this wonderful spikey ball with unique geometry.
Continue readingOne of many benefits of being a member of Origami USA (OUSA) has been the “Origami Connect” online classes program. For Christmas, members were treated to a free workshop with Riccardo Foschi, who taught his delightful “Sitting Gnome”:
Due to the tyranny of international timezones, their 1pm EST workshop meant I had to join them 15 hours later (for me, 4am the day after). It feels weird to be in their future, but there you go. I set an alarm, made a cup of tea, folded along then attempted to go back to sleep again afterwards (fairly unsuccessfully, annoyingly).
This model is a lovely figurative representation of a gnome – hat, nose, moustache, beard, stubby body and stickey outey legs and feet – a little like the “elf on the shelf” idea – it is a pity he has no hands (I might mess with the design a little as there is LOTS of paper not doing very much that I may be able to encourage some arms from).
Riccardo was a delight, his models have a real cuteness charm, and he is very generous sharing CPs with the community, many of which I have folded, I love his design sense, and the fun his models are to fold – often cartoonish happy things they are.
Continue readingClocking on for another round of procrastigami, I decided to give the first of the “twister” series a go:
This is “Twister A”, designed by Ilan Garibi, a lovely dimensional fold with a final twist to finish it off.
I have folded a few square twists, this one perches a twist on top of the intersection of opposing ridges, contains remarkably few folds on top of the base square grid.
The basic molecule tiles awkwardly – because of the directionality (it forms in a clockwise direction) of the molecule, you have to reverse adjacent molecules if you want them to line up.
Continue readingExploring Ilan Garibi’s lovely book “Origami Tessellations for Everybody”, the next “family” of folds starts off with “Childhood” and then evolves into more of the same:
This is almost a corrugation, as there are nearly no layers overlaying others – the surface treatment is deliciously dimensional, and the distortions are caused by paper tension and torsion of the underlying square-twists.
I started with standard cotton-based photocopy paper (which for me is a LOT like thin Elephant Hide) and laid in a square grid. Both childhood and childhood-evolved use off divisions. I folded a regular division (halves or thirds), then halved until I was close to the required grid sizes, then sliced off unneeded units before laying in the wedge-shaped mountain creases.
Continue readingExploring the rich and intense world of tessellations, I decided it was time to try the second family of folds described in Ilan Garibi’s wonderful book “Origami Tessellations for Everyone”:
This is ‘Red Flower’, the base fold of which there re many variations, but the base molecule is based on a square grid and (for single molecule at least) simple to pre-crease and collapse.
When you scale up, accuracy shows itself as important – slight errors mean that the internal collapses twist the whole sheet out of shape.
Continue readingLooking for something to de-stress and unwind to after a brutal term, I turned to “The Works of Satoshi Kamiya II”, and a model that I was astonished to find I had never tried – his hermit crab:
Starting with a 70cm square of natural/white Kraft paper, the fold was challenging as you allocate one side of the sheet to the crab, the other to the shell. Via a fabulous fold sequence, you tease legs, claws, antennae, eyes and mouthparts while delicately colour-changing the rear and then spiralling a shell as his home.
This is, (der), genius design – I always am amazed with Kamiya designs, and the elegance of the developmental sequence – as if the journey is every bit as delightful as the destination.
Continue readingI am trying to get my brain back – the term has been brutal so I decided some paper therapy was in order. I originally folded this model back in 2011, on tiny paper, and the resultant mess was posted as part of that year’s 365 challenge.
I had vowed to re-fold it with better paper, and I decided to do that today.
I cut a 50cm of pearl coloured Lithography paper, and carefully followed an instruction set that only lasted 103 steps or so (quite quick for a Kamiya model).
I love how this horse seems to emerge from an otherwise non-descript tangle, with glorious and sensibly placed, appropriately muscled wings.
When a legend graciously shares hand-drawn diagrams for a lovely simple Eastern Dragon, one simply has to give it a go:
This is an “Eastern Dragon” – interestingly most people in the west believe you need to staple wings on such a critter so that it can fly. Our eastern cousins accept that this sort of critter can fly, wings are not necessary for this activity.
This design was recently shared, luscious hand-drawn diagrams from @brianchandesigns, a gracious and fabulous gift to the origami community.
Continue readingMy Mum had a large carpet snake take up residence atop her hot water system. Apparently he (she? who can tell?) was gentle, sleepy and knocked off some terracotta plant pots in his quest for a coil-spot:
Over a period of a couple of weeks, he moved about, basking, slithering and generally being a snek, then he buggered off (as they do).
Continue readingOur local community Library has display cases, I have more origami models in storage that I can count any more so offered to provide some models for a month or so for a display:
The interesting part of this was selecting a variety of models to demonstrate the breadth of the discipline. The challenge was to select only enough models to fill the small display cases.
I decided on a varied collection of single sheet figures, modulars and old favourites, the mix is eclectic and dizzying.
The exhibit is on display at least until the end of August, possibly longer.
You can go see it at Holland Park Library
A group of mates has, periodically over the last few decades, gotten together in a smoke-filled room to play a board game. Not any old game, but “Dogfight” – a dice-based, card controlled WW1 battle of the airspace over Europe.
Although most of the players were well passed their fifties, we squabbled like little kids, goaded each other fearlessly, preened and peacocked at our prowess and got nit-picky about the many nuances of rule variations hard won.
It was honestly some of the best fun to be had, and the chaps were good sports, one and all. In January, one of our quartet passed away. “Dr Winston O’Boogie” (Michael) flew off into the sunset for the last time to great fanfare.
We have met since, dragging a young buck into the fold, and played until Michael’s house (the home of our epic aerial battles) was finally sold.
Tonight is our last hurrah!
I have struggled to find a suitable way to celebrate such a wonderful partnership, but turned to Origami, as is my want. I wanted to fold BIPLANES for the original pilots, and a smaller plane for the new recruit, and have really struggled with these models. The Biplanes are designed by Marc Kirschenbaum. I wanted to fold them smaller but failed many times, only being able to manage them from 60cm squares (and not very tidily sadly) – red, naturally in honour of Von Richtoffen (or Snoopy, take your pick).
The smaller plane is “Avioneta” designed by Eduardo Clemente – a charming little fokker.
I hope the guys like them. I remain forever grateful for the opportunity to act like little kids when surrounded by the wonder and majesty of imagination, fun and friendship. Chocks away Chuck, fly true one and all.
I am a firm believer that people learn something important when they try to do something they are not good at. I have recently bought a Theremin, and I want to pretend that I am anything but not good at playing it, but, like, it is hard to master:
I noticed that a Theremin has a distinctive shape: an upright antenna that you use to control pitch (the high-lowness of a note), and a horizontal antenna loop you use to control volume. To my (not so great) surprise, I discovered that no one had yet done an origami model for this thing, so set about having a go.
I started with the fish base, long flap for the pitch antenna, long flap for the stand, then 2 shorter flaps become the volume loop. Some accordion pleating and the basic morphology is there. You can (I hope) see the development in the sequence below:
It is a start, I might try to refine it (add knobs, refine the antennae, etc). Happy with v1.
I have discovered I a very low tolerance of boredom, I neeeeeed to be doing something most of the time. When my students are doing assignment work I make myself available for consultancy and need tasks I can drop in an instant so I can help them – origami is often my goto:
This is a re-fold, but I like it more than my first fold. I chose 5 sections (that together become a 10:1 proportion rectangle) for ease of transport during the folding process. White/natural Kraft paper (23cm on the narrow), and some care and attention to accuracy. This little beauty is the result.
It is rare to see happy dragons – they usually are trying to be ferrocious and scary – this dragon reminds me of a puppy, a mischevious ball of energy that is waiting for you to throw the drool and scorchmark-covered stick again.
