653: (103/365) Stretching Cat

As any cat owner knows, cats seem to be able to tie themselves in knots, and this pose is fairly typical of a stretch pose:

Well, I say cat “owners” but in reality, cats own and train us to serve them, it is in the nature of cats really. Continue reading

643: (93/365) Square Bear

Australia do not really have bears, well, nothing that is actually a bear but this charming model needed to be folded so folded it I did:

This is Edwin Corrie’s Square Bear, a charming model that is relatively simple but demonstrative of form. Continue reading

624: (74/365) Babe

It is rare that with relatively few folds the essence of a 4 legged beastie is so well captured:

This is a continuation of the exploration of Eduardo Clemente’s work, his simple pig, charming little critter it is. Continue reading

623: (73/365) Burro con Carro

Yoshizawa Sensei once said “The Horse and the rider are not one, nor should a model of them be”, or words to that effect and I think this model is an interesting reflection of that sentiment:

This is Eduardo Clemente’s “Burro con Carro” which I think means “Donkey and Cart”. Fashioned from a 3×1 rectangle, the technique involves completely wasting the middle square to provide a join that more or less makes sense between the cart and the tail of the donkey.

The trouble is, the join is so thick that modelling the hindquarters of the donkey is compromised, the cart does not sit quite right and the front of the model is so light that modelling front legs and head/ears is flimsy and a bit of a fail. Continue reading

621: (71/365) Little Mouse

Under the weather at the moment, folding while suffering a streaming headcold is not much fun. After 2 model fails, I thought I should go simpler:

I stumbled across an obscure book by Eduardo Clemente called “Papiroflexia”, it is full of historically revolutionary designs I must try. Continue reading

616: (66/365) Nollentonk

When I was a kid, apparently I used to call elephants “Nollentonks”, not sure why but there you go:

This is Chuya Miyamoto’s Elephant, a wonderfully complex fold that, like most folds of this critter, focuses on the head and trunk first then sorts a body out of what paper is left. Continue reading

601: (51/365) Hideo Komatsu’s “Rhino”

I want to pretend that I have the skill level to master a fold first go, but in truth, sometimes it is not as simple as that:

This Rhino appeared in the current edition of the JOAS magazine Tanteidan and I was determined to try it – an hour or so and it would be done – right? Continue reading

598: (48/360) Neal Elias’ “Rocking Horse”

This model is testament to the design genius of Neal Elias:

Taking the bird base, and a colour change, we fashion a jockey (with the cutest little cap) atop a rocking horse. I love the detail here and will probably fold this again, only with a slightly bigger bit of paper.  Continue reading

596: (46/360) Keigo Matsuda’s “Peter Rabbit”

Now it seems Beatrix Potter has gone out of favour in the age of political correctness, but there is no denying the charm of her stable of animal characters as they anthropomorphise through their day:

This is “Peter Rabbit” – well, more correctly it is supposed to be the rabbit from “Through the Looking Glass” but the colouring I used is more Peter that White Rabbit in my opinion. I have never really understood the Victorian tradition of partially clothed animals (he is wearing no pants, right?) but that is carried over to cartoon characters also which is a little odd. Continue reading

576: (26/365) Ornithorhynchus

It is a little known fact that people will believe just about anything. Tell them that a furry, egg laying, duck-billed, webbed footed, egg laying, pouch carrying mammal that lives in burrows underwater and protects itself with poisonous spines … and they believe it:

There are few things more distinctly Australian then the Ornithorhynchus (colloquially called a “Platypus”) and it seems in the origami world there are nearly none of them.

Stupid me, I did a poll on Fakebook about what I should fold to commemorate (or mourn, depending on your perspective) Australia day – today’s national holiday. Annoyingly the Platypus won hands down. Continue reading

569: (19/365) Japanese Macaque

Emergent behaviour is fascinating, apparently where these Japanese Macaque monkeys live gets snowy in winter, they have learned that sitting in thermal pools near bathhouses (Onsen) is one way of staving off the cold:

This is Fumiaki Kawahata’s Japanese Macaque – a model I had intended to fold ages ago because it was in a Tanteidan I had shelved.  Continue reading

553: (3/365) Yamaguchi’s Giant Panda

Apparently Pandas are endangered – seems they have lost their mojo (or are perhaps shy and do not like being observed so closely by people):

This is Makoto Yamaguchi’s Giant Panda – a lovely 2 part model made for bi-colour origami paper, folded from one of my Tanteidan Magazines. In deciding whether I would attempt another 365, I began looking through my stack of JOAS and BOS magazines and found dozens of un-attempted models – that sort of greenlighted the project to an extent. Continue reading

549: Fluffy the Cerberus

Fans of Harry Potter will recognised “Fluffy” the 3-headed dog, Hagrid’s pet (oops, just outed myself as a Potter nerd).549cerberus

This is Satoshi Kamiya’s “Cerberus”, a rendition of a mythical beast that is an amazing design that in the end is really really fiddly.

Continue reading

531: Joisel’s Horse Head

Many beauties reside in Eric Joisel’s folding legacy, most have no hints as to how he achieved them. The “Horse Head” design exists as an obscured crease pattern from his original notes:531JoiselHorseHead

A friend of this blog (Hi Jean-Baptiste!) offered his interpretation of the crease pattern and invited me to try folding it as he was having trouble with the collapse, so I thought why not. I need all the practice I can get on interpreting CPs. Continue reading

528: Joisel’s Pangolin

Few Origami models reach Iconic status, few have the charm and grace of Eric Joisel’s Pangolin. I thought I would have a go at this fold:528Pangolin

Based, in part, on a field of diagonal graduated pleats that are “popped” into scaley plates, shaped simply to suggest tail, head and feet, his folds have a unique life breathed into them. Continue reading