explorations of folding media
As part of the school’s social justice program, I was asked to come up with a fold for a bow tie that I could teach year 7-10 boys and girls from 3 schools on a Friday afternoon:
Based in part on a technique used by many, but first seen in a video, I devices a way of using a square, hiding raw edges and basing most of the folds on halves (figuring boys could actually fold things in half fairly easily). Continue reading
Another time sponge, based on a square grid initially that was torturous to fold and pre-crease. Based on Eric Gjerde’s tessellation molecule, it is an amazing use of paper that features largely an “all at once” collapse.
Many tessellations sit flat while you do them, their interim stages are still flat – not this mongrel. Once you start, you gotta finish and then work out how to flatten – interesting but not very portable in the end. Continue reading
Now apparently, when faces with a wee beastie, you throw a pokeball at it and that, somehow, traps the beastie …inside.. the ball for safe keeping – truly, I cannot make this shit up:
This is Jeremy Shafer’s Pokeball – a genius modular fold using 2 bits of paper that interlock at the hinge, forming a rather lovely clasp at the front. Continue reading
Pika, Pika, PIKA! Pika, Pik Pik Pikachu, pikachu? Pikachu. Pika? Pikachu. Such is the scripting necessary for a Pokemon standard character’s dialogue. Yeah, but…?
So I have started to fold again, I need to bend paper and finding models I am interested enough to fold seems to be an issue for me at the moment. In the interim, I figure I should continue to tap into pop-culture and fold some more Pokemon.
I know little about this universe but know of the passion people who have brand loyalty have, so that they are going out, meeting people, catching them all. Continue reading
Now I am not of the generation that grew up with Pokemon, but seem surrounded by adults that were. Fandom/enthusiasm takes many forms and the latest augmented reality game “Pokemon GO!” is so hot right now I felt I had to fold a poke-thing because…reasons
I had seen a video tutorial from Tadashi Mori on a complex model called “Charizard” so thought I would give it a go. Squaring up a large sheet of crumpled VOG paper (I used red, the critter should be orange – not sure if it matters) and began folding.
Turns out the tutorial was in 3 parts, and the model was really challenging, but I think I managed a reasonable rendition of the critter. Continue reading
Voting is something democratic societies hold as an important right. Some counties have compulsory voting, most allow citizens to choose whether they want to vote – all too often the result is the same – groups of opinionated, empty-headed people are elected to represent the views of the common people.
Anyone who knows me, realises I take the political piss whenever I can – voting only encouraged politicians to think they are more important than the rest of us, but they are just us, right, paid to argue (usually paid a LOT more that those of us who enjoy a good argument). 
We organise candidates into “parties”, “alliances” and “coalitions”, pick “leaders” and rally behind them like their personalities are what really matters. All too often, in the end, we end up with the government we deserve. Continue reading
Doodling with a single uncut A3 sheet, I managed to fold something approaching both masks of the Drama “Comedy and Tragedy” thing
Using a Joisel-like face thing twice, I think this model has potential as it uses one piece of paper to realise the whole enchilada. Continue reading
Few Origami models reach Iconic status, few have the charm and grace of Eric Joisel’s Pangolin. I thought I would have a go at this fold:
Based, in part, on a field of diagonal graduated pleats that are “popped” into scaley plates, shaped simply to suggest tail, head and feet, his folds have a unique life breathed into them. Continue reading
Curved creases seem to do interesting things to stiff paper.
Paper tension that has been tortured by curved folds tends to force planes into curves and distorts geometry in interesting ways.
I had a huge offcut of Canson watercolour paper and decided to try Thoki Yenn and Josef Albers “Before The Big Bang” – an odd collection of concentric creases, alternating mountain and valleys. Continue reading
I have had sheets of Elephant Hide for ages, and read that it was really good for geometric folding (corrugations and tessellations), so set out to find something I could do as fold therapy:
Jeremy Shafer is a genius designer of origami action models and I had seen his series of collapsing “flashers” so thought I would give them a go. they are termed “flasher” because they are tiny when resting, but expand out in an explosion of pleats when you stretch them.
This is the “Flasher Hat” – perfect for the silly season where wearing paper hats seems mandatory. It combines the classic features of a flat flasher with special corrugations and crimps that raise a crown. Continue reading
Flipping through an obscure copy of Papiroflexia Bicolour by Fernando Gilgado, I was struck with a pair of … models that looked like fun to make.
I had some small (10in) squares of handmade Kozo left over from the eagle fold and thought I would give it a whirl.
The fun and hilarity began – I have provided you with a cutout so you can do some arrangement depending on your orientation and preference – is it “Adam and Eve”, “Adam and Steve” or “Eve and Gwen” – you decide. Continue reading
As you may have guessed from subsequent posts, I have been learning to fold Satoshi Kamiya’s Ryujin 3.5:
After a year of lessons, learning bits of the model and patiently/painstakingly working on each of the elements of the design, I managed to combine all onto one model. Continue reading
I was asked if I could make a flock of birds designed to be attached to fishing line on the end of poles that seem to fly:
I remember a “seagull” by Toyoaki Kawai, in an old book I had so based a fold around that basic form. Continue reading
A dear friend (*waves to Caff) holidayed in Europe, visited Florence and found some amazing block-printed handmade paper, popped it in a post pack tube and mailed it to me.
To be honest, I have struggled to use this paper because it seemed a such a terrible shame to cut it. Lovely irregularities, vibrant colours and relatively heavy cardstock suggested that a kusudama might be the solution.
Thumbing through Tomoko Fuse’s book “Multidimensional Transformations, Unit Origami”, I came across a unit called “little turtle” that I had not tried. I think they got the name because, as part of the folding process of the unit you make a shape similar to the “turtle base” I have used for other models.
After much care and attention, diligently following expert lessons (courtesy of MrOrigami’s Daniel Brown), I have managed to successfully navigate lessons 1-11 in what promises to be an ever intensifying journey towards understanding the whole model. This is PART 2 of a previous post. Part 3 also exists.
Along the way I have learned a LOT about myself – patience is it’s own reward. If at first you do not succeed, try, try and try again (something I needed to do for lesson 11 – which I folded 4 times until I got it right, each attempt taking me 12ish hours)
I can see why Satoshi Kamiya (the astonishingly talented designer) has not folded lots of these – the detail (and there is LOTS of details here, most you cannot see) needed to let the paper sit correctly whilst transitioning between elements is breaking my brain.
So far, I have learned elements of the design in isolation:
The lessons after this appear to tackle larger and more complex chunks – the aim to get all pieces to co-exist on the same sheet.
Interestingly, although it is time consuming, I am finding the process fascinating, each piece gains a sort of momentum that propels me on to finish it and get it right, and I look forward to the next part with a sort of morbid curiosity.
I bought some WIDE Kraft online (90cmx30m) and, depending how it behaves, intend to laminate 2 strips together to make a square nearly 2m x 2m as my first attempt of the whole model – no idea if that will be big enough, we shall see.
The Lessons continue. Continue reading
