Trolling around in the members area of Origami USA, I found a model that looks like it is made of 2 separate pieces of paper and decided to give it a try:
This is Diego Fernando Becerra Ramirez’s “Spider On Leaf”, a clever use of paper that fashions, via a bird base, a spider and leaf, managing a colour change in the process. Continue reading
I must admit to not having folded many butterflies – not sure why, hopefully this year I will remedy this situation:
This is Robert Lang’s Minamimachi Butterfly – I know it looks simple but there are some wonderfully complex techniques in it’s fabrication. Continue reading
In exploring the “Tiny Snek” interwebs phenomenon, I stumbled across a money fold that resulted in a simple cobra:
This is a variation on Vu Dung’s Cobra, folded from a 2×1 rectangle. Although relatively simple it was made more difficult by the size of the fold – this is tiny but still has a recognisable hood and lovely mouth/set of fangs. Continue reading
…so apparently, like, on the internets and stuff, Tiny Sneks are a thing, right:
This is Gen Hagiwara’s cartoon snake, a cute little model with lovely googly eyes and a smile.
I made it tiny… because. Continue reading
I often fold for relaxation and therapy, this design “Gargoyle” by Alessandro Beber is a fold I took up to keep my mind busy during some tough times near Easter:
I find folding calming, and I started this to keep mentally busy as my Dad got sicker and sicker in hospital. He passed before I completed it and for weeks I put the paper aside, the model became associated with that event. Continue reading
Flipping through the book “Origami Masters – Bugs – How the Bug Wars Changed the Art Of Origami”, you cannot help but be frightened by this model:
Robert Lang, mathematician, engineer and origami design genius in this model pushes the envelope of what is possible with paper on a number of levels. The book gives general hints about a truly terrifying paper manipulation which I think, largely ignores the fact that paper will be used in the fabrication. Continue reading
As part of my JOAS membership, I get sent magazines with models to try – a really excellent collection of complex models from the worlds best designers. When I saw Satoshi Kamiya’s Dragonfly, I was really scared of it.
The level of pleat management and re-arrangement of flaps and layers is truly terrifying when viewed as a whole.
As a “treat”, to reward my marking progress (I am a teacher, I set assessment but hate marking it) I allowed myself to complete a couple of steps each sitting. This fold has taken place over the period of 3 weeks, a little at a time. the advantage of this method is that I did not get freaked out by what was to come, just concentrating on the couple of steps I was allowed to complete. Continue reading
I was itching to do a technical fold, and realised I had folded few from the “Bugwars” book I bought for Xmas, so thought “why not”:
This fold has taken an age. I must admit that initially I had passed this over because it looked too fiddly, the CP alone was terrifying. Continue reading
People keep giving me foreign and local paper currency. A work colleague gave me a pair of battered US1 dollar notes and asked if I could do anything with them. I had heard (old wives tale perhaps) that it was unlucky to kill a money spider. These little critters apparently bring financial good luck.
I figured MAKING a money spider should be lucky, so set about to find one. Won Park, in his book “Extreme Origami” has a rather lovely spider fold that requires 2xUSD$1 notes, so I thought I would give it a try. Continue reading
Having ordered the book “Origami Masters Bugs – how the bug wars changed the art of origami” I was itching to fold a bug:
Robert Lang is a master paper engineer, I have a few of his books – this is from Origami Insects Volume II and I decided to give it a try – it was way outside my skill ability so I sort of resolved to keep folding until … I couldn’t work out what to do next, if that makes sense. In the end I managed all of the detailing (although some not very elegantly).
The resultant bug is astonishing – the legs are jointed and end in claspers, the head, cephalothorax jointed, it has antennae, horns and is really bug like. Continue reading
Originally I was approached by a blog reader who wanted to know how a particular part of this model worked. Given I had never folded it before I had to admit I did not know, but would love to find out:
This is a torturous model by Robert Lang from his book “Insects and their Kin” – torturous because most of the detail originates in the MIDDLE of the sheet, via some astonishingly complicated manipulations. We tease 6 legs, abdomen, 2 antennae from the middle of the page, leaving large expanses of largely un-folded paper for the 2 pairs of wings.
I have wrestled with this for an age – not sure the instructions are very clear (particularly layer management late int he piece) and certainly are not noob friendly.
As a first fold I am very happy with the result – not sure I wold fold it again, I do not really like the way the body sits and the clumsy layering at the wing junctions but it was a fascinating exercise in accuracy none the less. I say clumsy but I know of the design genius to engineer such a shape, so please Mr Lang do not rake this as a criticism, I remain in awe of your paper prowess. Continue reading
The link between a boy and his pet is a special one, even if the pet is a hermit crab named “Smee”
When I heard Sam had suffered the loss of Smee I remembered the pets I had also said goodbye to, tough gig indeed.
I remembered I had folded, as part of the 365 project, a hermit crab – never quite mastering the fold so was determined to re-attempt it (with a few more years skill under my belt) Continue reading
I was exploring a corrugation technique I last used with Eric Joisel’s Bandoneon and stumbled across a sort of plan to fold Joisel’s Snail:
You start with an extraordinarily long (my estimate – 3.25m) and narrow (in my model 9cm) strip of paper, then start folding slanted lines (using a 3:1 gradient) in both directions
I have these lovely bits of Lotka and was looking for something to be my first fold with this new paper:
I chose Brian Chan’s Wolf spider partly because I had not folded it before and partly because the “milk chocolate” fibrous nature of the paper reminded me of the natural colour and texture of the spider itself.
The first cut is more painful than the first fold on a sheet that is roughly rectangular – the issues with most hand-made papers include rough edges, uneven thicknesses, odd fibre bundles in unfortunate places and a lovely mottled colour distribution.
Those of you who were guessers for the WTF (What’s That Fold?) #4 will be interested to know that this model was actually a Spider Conch designed by Robert Lang:
I once taught on Palm Island – which is seaward from Townsville, North Queensland. Whilst there I loved to snorkel the reef nearby. Whilst doing so, I managed to find a pair of “spider shells” that I still have today.
