creepy crawly

1010: Foschi’s “Black Widow”

| wonko

Determined to work on one of my known folding weaknesses (solving crease patterns), I decided to have a go at Riccardo Foschi’s “Black Widow”:

Folded from 4×1 rectangle, box pleating teases out lovely long legs, cephalothorax and abdomen. With a little magic I managed to extend some pincer-like jaws also to use up some of the paper that was otherwise lurking in the transition between the body and the legs, which was quite pleasing.

Riccardo Foschi's Black Widow

Half the job is the collapse – working out what should be mountain, what should be valley, and the order of the collapse. The rest of the work (some say the hardest bit) is in the shaping as, often, the base you collapse to only roughly corresponds to the morphology of the final form, you then need to primp, tease, thin and pose to gain model finesse.

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1001: “Have the Lambs Stopped Screaming, Clarice?”

| wonko

I have been a fan of the Hannibal Lecter thing since that was possible. Books, movies, series, love it all, but few things are more chilling than the original “Silence of the Lambs” movie. One of the central images of that movie, and a delicious cover art of the original book features the Deaths-head Hawkwing Moth (Acherontia atropos):

This model, designed and shared by Sebastian Limet, requires thin bi-colour paper. I had some duo paper that was strangely thick, but managed to work the design and surface the details that make this mode so striking.

Deaths-head Hawkwing Moth

Folded from a 40cm square of black/white duo unryu, I have enjoyed following a fold sequence that started at the Waterbomb base and goes sideways from there.

Concentrating on the important details here – wings, skull, abdomen and antennae, this relatively simple model is all style, genius design typical of the brilliance of Sebl designs.

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990: They come at night … mostly

| wonko

I will admit to being a sci-fi nerd, few movies did it for me like the original “Alien” movie, directed by Ridley Scott, designed by Hans Reudi Geiger.

The truly original mixture of a genuinely terrifying xenomorph, claustrophobic and grimy working space ship and stellar cast makes the movie, at least in my mind, perfect.

Donny_Origami's facehugger

Prior to that, space was clean (painfully white and tidy, according to the Star Wars, Blakes7, Flash Gordon and Dr Who visions), in Alien gear looked used, people were pissed off and tired, and we were introduced to a much loved and never duplicated alien.

Donny_Origami's facehugger attack

H.R. Geiger imagined a life-cycle – from egg, to facehugger (this beastie) that implants an embryo deep in a host, chest burster through to adult killing machine. Scarily insectoid, acid for blood, no eyes, perfect.

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Entomologists Unite

| wonko

In a meeting with other Brisbane Origami enthusiasts, we floated the idea of a Brisbane Origami Group (BORG).

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Although in its infancy, eventually one of us will get organised enough to get a little more formal.

exhibition 1

In the interim, Vivian Sandoval (a practicing Entomologist and origamist) suggested we might be able to provide some models for a forthcoming conference.

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The Perkins Memorial Dinner was held by The Entomological Society of Queensland on the 8th of October 2019 – decorated by displays from us 🙂

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Plan B (or “Home is where the hive is”)

| wonko

I was approached by a mate mid 2018 with the idea of an original origami commission, but was given no real timeline (which for an OCD procrastinator like me is a recipe for a little crazy time.

framed picture

The end result, finished near the end of February 2019, is vastly different from how I had initially envisaged it. It was actually really hard to part with this one – so much creative energy went into it’s genesis.

the new happy owner
A new home, Happy Birthday Paige (albeit belated, sorry)
Depth, scale, detail.
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913: (363/365) When you wish upon a Star …

| wonko

So when I asked for suggestions on what to fold, Janet suggested a Starfish which prompted me to try Riccardo Foschi’s model:

Made from a pentagon, a lovely little fold that has some charming qualities. Continue reading →

904: (354/365) Caterpillar

| wonko

When looking for a simple fold, one’s attention naturally falls on a torturous corrugation-based model that takes an age to fold (not):

This is Maarten Van Gelder Caterpillar – an exhaustive corrugation executed on an 8×1 rectangle (although I think it would be more effective on even longer paper). Continue reading →

903: (353/365) Slippery Little Sucker

| wonko

I must admit to being a bit of a fanboy when it comes to the works of Satoshi Kamiya. His designs are genius, fabulously complicated to fold and make good use of the sheet:

This is his Octopus – an amazing fold from an octagon that yields lovely little legs, a beady set of eyes and a pendulous 3D head/body with a modicum of paper torture. Continue reading →

900: (350/365) Calamari

| wonko

I stumbled across a “dollar fold” designed by Daniel Brown and decided to try it:

An interesting exercise in sinking, point isolation and layer management, this charming squid looks fresh enough to cook. Continue reading →

866: (316/365) Iris Butterfly

| wonko

The online Origami community is rich and supportive. Last night Kade Chan shared his publicly diagrammed “Iris Butterfly” diagrams via Fakebook and  knew I had to try it:

I used a fake US dollar bill, but it is actually designed for a Hong Kong dollar (which I think is a little less long and a little wider) – the proportions of the note would change the wing shape subtly. Continue reading →

845: (295/365) Leaf Katydid

| wonko

Insects seem to be a fascination among origami designers – at the height of “bug wars” when designers were competing for the most intricate designs that were  complex, had lots of legs, were thin and realistic renderings and really pushed the boundaries of existing techniques:

This astonishing model starts as a frog base. Through a torturous set of point isolation and narrowing, we get the impossibly thin legs and a lovely set of antennae. Halve this, now fold that in half, then do a double rabbit ear, now halve that … thank goodness for thiiiiin paper and accurate folding. Continue reading →

827: (277/365) Metamorphosis

| wonko

Few things can compare to the biological miracle that allows a caterpillar to become a chrysalis, inside of which it’s body chemistry and morphology transitions from grub to soup to butterfly:

Few models try to capture the whole journey. This set, designed by Fernando Gilgado  is an exception. Continue reading →

821: (271/365) Satoshi Kamiya’s Ant

| wonko

After re-subscribing to JOAS, in record time my back-issues of the Tanteidan magazine arrived and along with one of them, a really challenging diagram:

About 170 steps, extreme paper torture and, as a project, something truly terrifying but I knew I needed to try it. Continue reading →

819: (269/365) Jassu’s Dragonfly

| wonko

I am finally back up to date with my 365 project after an unavoidable hiatus. This fold is taken from “Drawing Origami – Tome 2”, a charming figurative representation of a dragonfly:

I like that the designer has distilled the essence of the critter down into it’s most recognisable features – body, head and wings. I decided to fold this using a square of Japanese Foil, I think that highlights the body nicely (although it makes it hellishly difficult to photograph). Continue reading →

811: (261/365) Stink Bug

| wonko

My citrus trees have a problem that starts about now in the season:

Infestations of stinkbugs arrive and soon they are thick with debilitating sucking insects. It would not be so bad but I seem allergic to their secretions, making getting rid of them difficult.

I have tried garlic, chilli spray, soapy water, using an old vacuum cleaner to suck them off but to no avail. Poisons are not something I want to use but seem to have no choice. Continue reading →