Working on an Australian Wildlife series, naturally I had to include Satoshi Kamiya’s lovely Green Tree Frog:
I had a day-glow lime green sheet of Hanji in my stash, gifted to me from a collegue who brought it back from Seoul a few years back. I decided I wanted to treat it and colour it with some of my acrylic inks.
I misted the sheet with water, wet a large glass window, rolled the damp hanji onto the wet glass and then coated it with a thick coating of methyl cellulose (MC).
Continue readingMy annual origami display at Holland Park Library was installed this morning:
Included is a broad range of origami styles from a huge and diverse collection of designers, folded from a varied collection of papers.
I am trying to get better at not crowding the display cabinets – sometimes less is more to allow individual models to shine – let me know how I went.
If you visited, I would love your impressions, comments and suggestions for future displays.
Get directions here
I have recently completed the mammoth 50hr+ live fold-along festival called The Origami World Marathon. I folded as many as I could physically attend, and it is a super rare privilege to be actually taught by such world class designers.
I managed about 14 models live, slept some and can complete those missed because, as part of the purchased ticket I gain access to video tutorials from the designers for the next year – win, win.
Continue readingSo a fairly well known fact in Origami circles is that there are Origami Museums, few compare in size to the Spanish one in Zaragoza. When Jo and I had decided to spend time in Barcelona, we discovered Zaragoza was doable day trip from Barcelona Sants regional train station, so a plan was hatched.
Barcelona Sants is a regional rail hub, different to the metro. We will from depart here in a few days for Province, but this station also provides access to many other places in Catalunya and beyond. After locating our platform ( via a very helpful man at the Information counter), we had our bags (and everything else) xrayed before arriving on the platform to find the train already boarding.
We boarded AVE-S112 High Speed train, allocated seats a lot like an airplane, and took off. The train sped underground until it cleared the central city and burst out into the light as farmland flew by. For a lot of the journey the train was topping 295 km/h as it hurtled stop to stop.
After a little over an hour, we arrived at Zaragoza train station, and de-trained, got some refreshments then headed over to the Bus Station, to catch a C1 circle line bus, and rode it the remaining half way around to the terminus. After a brief bit of nav we were picking through the back streets to EMOZ, located on the 2nd Floor of Centro de Historias, Plaza San Agustín 2.
I had been in contact with the museum ever since there seemed a chance for me to visit, and it was lovely to finally meet an online friend named Jesús Artigas. We nerded out a bit, talked about the current exhibition and about Yoshizawa’s works, and particularly the work of Eric Joisel.
The museum has, on display a number of Joisel’s original works, including one of his gnome orchestras, his large-scale Rhinoceros and his large scale Pegasus.
Jesús let us sneak peak in the store room at Joisel’s large Hippopotamus also, all master works from a genius artist much missed.
We talked folding, design, and it turns out he is working on an interesting origami publication of endangered Spanish animals, and asked if I was interested in test folding closer to publication date. What an honor indeed, naturally I said yes. That should be fabulous and something else to be involved in when I finally return home.
We parted company with the promise of future collaboration, then Jo and I took our time appreciating the many rooms of exhibits. It was good to see so many original works from legends in the field, including Victor Coeurjoly, Robert Lang, Junior Fritz Jaquett, Kashiwamura, Jozsef Zsebe, a host of different Vietnamese designers, and even a tiny work from Yoshizawa himself. We are not worthy.
The museum also offers informative information about the paper/folding traditions of many countries. It is interesting that many different schools of folding crafts emerged independently with the introduction of paper and paper-like materials. We also saw some very early traditional folds pioneering skills from historical giants that modern day origami designers stand on the shoulders of.
The feature artist at the moment is Vivian Berty, with a number of rooms devoted to her colourful, figurative and representational varied art practice. Such a riot of colour and range of simple to elegant models, compositions and modular works.
It felt like home for me, to be surrounded by an art form I have spent a lot of my life exploring. Nerd-feasts come in every flavour, and this was one of mine.
After leaving EMOZ, we reversed our journey to Zaragoza Delicias rail station, grabbed a late lunch and then our train back to Barcelona. I am sure I gushed, Jo was very tolerant of a very happy nerd. If I get the opportunity I would like to visit again, as well as explore the other origami museums of the world.
Few origami designers design, present and then release CPs, diagrams and tutorials for their work like Riccardo Foschi:
When I saw his newly designed frog 2 days ago, I was hoping for there to be a tutorial or CO soon, his tutorial dropped yesterday and I knew I had to fold it.
I used a square of Duo Thai paper – dark and lime green and folded it slowly to enjoy the demonstrated process.
The front end of this frog/toad is wonderful – big whimsical eyes, beautiful suckered feet, nice shaped head. My only criticism is that the back legs and bum are a little stubby – there is quite a bit of paper back there that is not doing a lot, but as is it is simplistic. None the less, I love this little chap.
Continue readingFor those up to date with “The Mandolorean”, the last episode reveal was “baby yoda’s” name – turns out it was “Grogu”:
Although loosely a space western, Mando is largely cutie Grogu and as many Star Wars references as is possible to fit into a loose plot (my opinion).
Sebastien Limet designed a 2-part Grogu and published video tutorial on his Fakebook account – head and body are separate (I cheated and glued mine together – ssshhh!). The next day he did the same for a Mandalorian helmet – I made mine a little goth. More eye candy follows…
Continue readingThe traditional world of Origami has many classic folds, it is constantly amazing to me how few of them I have actually folded:
This is a traditional jumping from – well, at least one version of it. The mechanism is simple and relies on paper thickness to provide a spring on the back legs. You gently press between the back legs and as the paper flips out from under your finger, the frog hops – ingenious. Continue reading
Sometime a simple model has a charm of its own:
This tadpole is a relatively simple exercise in box pleating to isolate tail and back legs but the shaping is lovely. Continue reading
PART 2: THE LLAMA, LIVE FROM GOLDERS GREEN
The llama is a quadruped
which lives in big rivers like the Amazon.
It has two ears,
a heart,
a forehead,
and a beak for eating honey,
but it is provided with fins for swimming.
Llamas are bigger than frogs. Continue reading
Can’t fold, busy:
Remarkably I have never blogged this model. Continue reading
My son and his partner (Hi Matt and Alix!) came back from a recent trip to Canada and the US and had some greenbacks left over in their wallet.
They are paper, you can fold them, there is a whole branch of Origami that does this intensively, led by artists like Won Park.
I have recently spent time in a cabin in the woods – well, in truth, it is a cabin among some semi-tropical rain forest in the border ranges in northers New South Wales – a retreat for body and mind:
Having made some “double tissue“, I was itching to see how it took folds and I remembered a green thing I had folded way back as part of the 365 project – Robert Lang’s Green Tree Frog. My first attempt was small, white and not very detailed so I thought it might be fun to torture some double tissue with that design.
The Weekly WTF#1 (what’s that fold) had to be a Satoshi model, and I had been itching to make this little beauty ever since I was aware he had designed one:
Initially, I folded this with a odd end of a kraft roll, starting with a nearly 40cm square (nearly in that I discovered it was not quite square), but found it very small for my fat clumsy fingers.
I resolved to fold it neater, so went larger – second fold (the one pictured) is a 60cm square of brown Kraft paper (no, it is not green, and I know of no easy way to make it so).
There is a LOT to like about this model, and some concerns – some of the steps are fairly poorly explained (given the nature of some of the manoeuvres I can not imagine how that would be improved) and some of the folding is through so many layers that without help this model does NOT stay as folded.
I decided to do wet-folding, with a little MC (methyl cellulose) to fold, mould and let it dry before moving on – this lengthened the time to make the model, but in the end made it most beautiful. Some of the subtle shaping would ONLY be achievable with foil-core paper or via wet MC folding.
In the end, this is the most frog-like thing I have encountered that was not actually a frog. the details are astonishing even to me (and I wrangled them out of a flat, uncut square).
“No, you just ate that fly, wait a half an hour
or you will get stomach cramps junior!” .
“Aww mum, that is an old toad’s tale.”
I ended up with 2 – my first fold, whilst smaller is different to the larger one, they both have interesting postures and attitudes and I am torn as to which one I prefer.
I am sure I will fold this one again – he is so cute, but I think I will wait until I have suitable thin green paper – the model is so well designed that it’s tummy is one colour, rest of the body is the other – so I will be hunting paper that is 2 shades of green front to back (or perhaps making a bit of double tissue – we shall see).
Our local council library has a large glass display case that usually has things on show for a month. I cautiously asked one of the librarians if she thought some origami would interest patrons and she was very enthusiastic:
There are around 200 models now on show at Holland Park Library for June and I am quite chuffed about that.
Dragging 3 large tidy-tubs of models, most of which I had left over from the 365 Origami Auction, they fill the case rather completely.
You can see models designed by me amongst designs by such luminaries as Kade Chan, Robert Lang, Eric Joisel and many others.
In addition, I was asked to run a workshop in the first week of my school holidays for interested folders (10 years old and up) – see the Holland Park Library website for details and bookings if you are interested.
The only question that begs answer is what the floop I do with these lovelies AFTER the month on show? Suggestions welcome … dear reader?
I had this idea in my head that is should be possible to fold a DALEK (you know, that improbable plunger-wielding arch nemesis of Dr Who) from a single sheet of paper:
I began over a two week period to explore the morphology of a Dalek, to come to the conclusion that it is most certainly possible, and that this attempt is very nearly it.
I decided to start with an A2 sheet, figuring that it would be bent in half eventually and curved to make the recognisable armature and leaving paper for eye, manipulators and a nice domed head. Numerous trial scraps of paper were mangled to test various collapse/crinkle ideas that in the end informed the final shaping. The odd shape, the necessary texturing (bumps are essential, apparently, to Daleks), the position of the eye stalk in relation to the plunger/laser hand thingies proved very troublesome with this shape paper and, in retrospect, it would have been better to start with a square – live and learn I guess.
I learnt a lot about myself in this fold – resisting the urge to set a crease is HARD, regretting a misplaced crease later is worse. I found I could, in my head, envisage something and then create it within the limitations of paper fairly faithfully. A LOT of maths-type thinking went in to the original sheet division and that both helped and hindered in the final model as I found taking the highly geometric shapes and making them more organically round was very challenging.
In the end this is NOT a great dalek, it is however a fantastic start. Should I attempt this again I now know more about the final shape to plan better for it – I assumed, you see, that it would sort of just “sort itself out” – this was far from true – much time was spent looking at the mess I had made and working out how to make it less messy (or just hide it and deny it was there).
The final model is not pure origami – given the time and paper torsion, I had to help some parts stay together with little buts of stickey tape on the inside – some of those fine pesky pleats splay over time I found. With different paper (tissue foil for instance) the folds would stay folded a lot better I would guess.
Given this is my FIRST FOLD of this design, and I was working to designs in my head, it was very satisfying. Should I attempt it again I would do it slightly differently, arrange things on the sheet with the final shaping in mind a little better. I think Davros would be proud of my efforts at resurrecting the master race however. Good work if you bothered to read this far, say HI to your mum for me.
