1042: Starsea Kusudama

Keeping my fingers buys, I had it suggested (on Redit) that I should try Tomoko Fuse’s ‘Starsea Kusudama”:

Tomoko Fuse's Starsea Kusudama

I had not seen this before, the unit is complex and folding it on a 1/4 6″ square was, in retrospect, probably a mistake but I like a challenge.

30 modules later, the construction was fiddly but the locked shape is really sturdy and there is no need for glue – tabs are buried deep in pockets. The last few units are really hard to seat (I needed tweezers to ease them into place) but paper tension causes the ball to become regular.

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1040: A Little Crabby

As a teacher, ends of term are a plague of marking, and that tends to make me crabby:

Daniel Brown's Crab

My procrastination engine keeps kicking. I found a photo sequence on an Origami Discord, designed by Daniel Brown, and knew I needed to try it.

Lovely challenging sequence, figurative representation of a crab, love this little model, must fold it again.

1039: Jang Yong Ik’s “Smilodon”

Whilst being eliminated from the Origami Tournament, I am still interested in the models being folded by surviving contestants. This week’s challenge was Jang Yong Ik’s :Smilodon” – a “sabre tooth tiger” like critter from time gone past:

Jang Yong Ik's "Smilodon"

The fold sequence is intense – this model ate up a 70cm square of black/natural duo Kraft paper like few other models. The body is thick and heavy, some sections had dozens of layers.

Jang Yong Ik's "Smilodon" view

I took my time, considered as I went, determined to succeed on my first fold. In retrospect, using thinner paper would have an advantage in that the layer management would be easier, but the legs would be flimsy and require wire supports – tough for a designer to distribute paper structurally.

Jang Yong Ik's "Smilodon" scale

In the end, we have a crouching toothy fossil, it was an interesting exercise and entrants did some good shaping to personalise their folds. I enjoyed exploring the sequence.

1037: Beth Johnson’s Horse

Madly, I agreed to participate in an international tournament, at the Intermediate level:

Beth Johnson's Horse

Intermediate meant you got a diagram and 72 hours to fold a rendition of it. I decided the “advanced” category was beyond my available time as you only got a CP and presumably relied on the power of prayer.

I gave it a whirl, went for crisp and accurate, but played a little with the flowing style of mane. It was loved by nearly noone who voted – fair enough. Other, less well folded versions (in my opinion) got more “likes” – social media is like that. Useful punch in the face, thanks.

Round 1 of the tournament done … and I am eliminated. Time to focus on more important things.

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1036: From little things, big things grow

Each year, as an ice-breaker/getting to know you activity with my pastoral care group at the beginning of a school year I try to involve them in a collaborative origami megastructure:

90 unit sonobe spikey ball in construction

Many hands made light work of the 90 sonobe modules, folded from Terracey colours (red, black, white). From little things, big things grow, the whole is greater than the sum of the parts (roll out the well trodden metaphors).

90 sonobe unit spikey ball finished

The construction has taken an age – 5 false starts until I discovered the module grouping – in the end it turned out to be alternating 5s and 6s on each vertex of each 6. Each sonobe module contributes 1/3 of a pair of adjacent points – and with careful colour planning no 2 colours are beside each other (well, that is nearly the case – in 2 places I was forced to break this rule, but you really have to look to find them).

spikey ball scale

90 modules take time, and most of the kids in the pastoral care group folded at least one – a true collaboration that results in a lovely spikey ball that will join the other treasures from previous years.

1035: Hand and Boat

It is the days you do not look in your mailbox that mail arrives – I arrived home from work to find an astonishing collection of paper from Pham Hoang Tuan’s origami shop, and a couple of his diagrams, all screaming “fold me!”, so I started that journey:

"Hand and Boat" by Pham Hoang Tuan

I had only ever seen this model complete and in CP form, failed at solving that CP 2 times and had given up folding it for now, then it arrived in diagram form to my delight.

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1034: Eric Joisel’s “Harlequin”

A few months back, in the relative calm of my summer holidays, I began to re-fold “Harlequin” designed by Eric Joisel, after failing to successfully fold it during the “Tribute of Eric Joisel” competition I was part of late last year:

"Harlequin" designed by Eric Joisel

I took my time, learned lots from initially failing, made sectional maquettes to check techniques and really enjoyed the process of folding.

"Harlequin" designed by Eric Joisel in the round
http://www.wonko.info/365origami/wp-content/uploads/1034HarlequinViews-scaled.jpg

This model is such a synergy of techniques – I can see influences from so many of Joisel’s other creations (many of which I have folded before). The initial collapse is vaguely humanoid, but the shaping is the making of model. So many details to control. The face and hat are tricksy but I an really happy with the level of detail I managed here – he has a playful but chilled character, smug smile and refined face – the mask is jauntily sitting on his nose also.

The fabric effects to the sleeved and pantaloons are a nightmare – to make them seem to “drape” is really hard I found, but eventually it came together. I pre-creased some quilted effect on the bodice and skirt which I am really happy with, and the collar took me ages to nut out. He is in full stockings (diamond pattern), has goofy shoes, a fly-away in-action wavey cape and open hands – so many bits were there waiting to be shaped. One can only marvel at the genius of the design.

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1033: Ducks in a row

Ducks and Drakes usually are different – apart from gender, the drake is usually the pretty one, a quite common convention in the bird world:

Shiri Daniel's Ducks

Each model is folded from a sheet of the same paper, one the reverse of the other to create the different plumage patterns.

Shiri Daniel's Ducks view

A lovely fold sequence is really efficient, so entirely achievable using 15cm origami paper (I have so much of this, and rarely use it). I decided on some teal-ish Yuzen, and the results are lovely.

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1031: Cubes Tessellation

Looking through my Origami Library, I realised I had bought “Origami Tessellations for Everyone” by Ilan Garibi back as the pandemic hit early last year, and realised I had yet to fold anything from it at all:

Cubes by Ilan Garibi
A field of cubes

Early last year was crazy times – bushfires, floods and then lockdown from Covid-19, this book got buried in my reading pile so it is time to begin the journey of exploring tessellations more formally.

Starting at the beginning, with the “Cubes Family”, this is “Cubes”, a deceptively simple tessellation of twisted cubes. I present the “molecule” – that is the tileable unit:

Cubes by Ilan Garibi Molecule
Cubes “molecule”
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