941: Home is where the Hive is…

Over the last few years I have played with origami tessellations – the theory of a repeatable pattern that interacts with other repeats (molecules) is fascinating and a real testament to the accuracy of the pre-folding. As part of another project, I have been exploring triangle grids, and a devilishly tricky to collapse hex-cell tessellation by Robert Lang he calls “Honeycomb”.

Robert Lang’s Honeycomb Tessellation

After folding this a number of times, and then schematicizing the molecule, I noticed that “cells” were deep and, due to the nature of the collapsed layers inside I did not think they were very tidy nor kept their shape nicely. All to often, in origami design, paper thickness is disregarded in the theoretical collapse – in this case hiding away most of the paper in canyons between cells deforms them in ugly ways.

Original Lang molecule (right) and my shallow modified one (left) – same size paper

I started playing with the corner mechanism, and discovered I could halve the height of the cell wall, making the tuck much less bulky and doubling the size of the resultant folded field on the same bit of paper. Additionally it held itself together nicely with edges that are easy to stabilise. With a little practice (I am sure my work colleagues thought me obsessed, given the number of times I folded this tessellated field) I was ready to scale up … well, down in truth as I folded a “tiny” triangle grid on my target mustard leather-grain paper and then set the corner widgets before collapse only to then realise that folding this small was a real challenge with my nerve damaged, fat clumsy fingers.

CP of molecule (red=Mountain, blue=Valley) Thick lines are visible edges, thin are hidden
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940: To Bee or not to Bee, that is a question …

For the last few months I have been working on parts of a project that will eventually be a framed collection or composition of some sort. Half of the fun is finding/developing models that suit but for this project I decided I would make paper for it also.

I started with Mark Kirschenbaum’s “Honey Bee”, primarily because it had the promise of a colour change to create contrast wings and a lovely stripey abdomen. Realising I had no suitable paper (going for a yellow/black vibe here) I laminated patterned black and yellow tissue to make a crisp double-tissue with little colour bleed. In retrospect the pattination on the black was distracting and, after going most of the way to folding a swarm I abandoned that line because the lovely detail of the bee was lost in heavy black paper patterns.

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935: Snapology Icosahedron

I have seen amazing geometric models based on Heinz Strobl’s strip-based modular technique called “Snapology”, and thought it about time I gave it a try:

Starting simple, I divided A4 sheets lengthwise into eighths, then gridded squares on those strips. I used grey for the core, 6×1 strips were cut for each triangular core. I used red for the connectors – 4×1 strips were cut for these.

The locking mechanism is simple, and in situations where the modules are tightly packed it just sort of holds itself together, but I can see how, with small extensions to the connectors you could easily and securely lock adjacent modules more securely. Continue reading

923: Concrete Mixer (aka. A Mixosaur)

At the risk of a family intervention, I present to you my first fold of Yoo Tae Yong’s “truck mixer” from the origami book “Origami Pro 3 – Machinery Origami” from a group of members of the Korean Origami Association:

From a square, via a very useful base, we arrive at what eventually looks mechanical but up until you begin squaring things up could also be an animal. This furthers my theory that heavy machinery is the living embodiment of once-thought extinct dinosaurs. More work to be done here. Continue reading

18 things I learned from the 2017 365 Challenge

People think a 365 challenge is all beer and skittles, well there was a number of things I learned this time through that might be worthy of reflection.

https://docs.google.com/spreadsheets/d/1CfJilbZ0JQZzDvte8aF6CoEKgfTOZP97QJxIe7F-6f4/edit?usp=sharing

What follows is a lengthy rant, strap yourself in if you are game: Continue reading

908: (358/365) ‘Twas the Night Before Christmas …

…and all through the house, not a creature was stirring, except for a mouse:

Prep for festivities is always fun. Family feast tomorrow, lots to do. I hope you and your families enjoy the prep time as much as the day itself. Continue reading

906: (356/365) Top of the Food Chain

As custodians of this planet, we do a pretty lousy job overall at looking after it. We see apex predators as threats and demonise them for acting naturally in their own domain:

In Australia, we employ shark nets which each year kill more OTHER things things than keep out sharks – time to think more about our place in this complex ecosystem. It is heartening to see activist groups like Sea Shepherds and Greenpeace actively working to change peoples perspectives but our News and media have much to learn about this – headlines are seductive but rarely paint a balanced or objective picture. Continue reading

897: (347/365) Deathstar

Tomorrow in Oz the next chapter of the Star Wars saga opens in cinemas. I am not likely to see it until the crush of “real fans” abates but thought on the eve I would fold something relevant:

This I have labelled “Deathstar” because it bears an uncanny resemblance to the space station the Liberator encountered just out from Far Point, while captain Mal and his rag tag band of cylons, and their computer Aurac, cruised the belt looking for replicants (how many scifi franchises are hinted at here? :P). Continue reading

Morning Light with Dragon Head

Revisiting a fold I achieved 3 years ago, I was struck with the dramatic lighting caused by an accidental reflection on our wooden floor and resultant shadow:

You know when you see something amazing and cannot quite believe it was you who made it? I seem to be surrounded with such moments.

894: (344/365) Baby Harp Seal

Sad but true, baby harp seals up until fairly recently were hunted for their pelts – the fashion industry could not get enough of them:

While seal hunting still continues today for food, oil and pelts, the clubbing of baby harp seals has largely been banned. Continue reading

887: (337/365) Tree Topper

Always looking for a nice Xmas tree topper, this little angel is designed by Leonardo Pulido Martinez and was presented in one of my BOS journals:

Had accuracy (and my Spanish) been better, I would also have hands (fingers) on this little model but I started with an almost square and crease drift occurred towards the end. Continue reading

883: (333/365) Cake Tin Liners

…then my wife casually asked if I could line some cake tins:

A simple fold, unequalled as a way of protecting a fruit cake from extended baking – the outer layer is 35cm square kraft paper, inner is 25cm greaseproof paper, they fit snugly in the tins. Later they will protect the maturing cake as it regularly bathes in rum. Continue reading

881: (331/365) Nativity Scene

People I work with know my OCD tendencies. When it was casually suggested that I might consider folding a Nativity scene for the end of year celebrations, it was a forgone conclusion that I would:

The assembled figures (each nearly 30cm tall) form quite a striking display – hopefully one that works for the display space – we shall see. Clearly Christmas is just around the corner, with this scene, it is beginning to look a lot like … well … christmas.

We have on the left, 3 kings, bringing gifts (bronze waterbombs are quite the thing this year). Centre there is an angel, looking over a mother, father and child. Bringing up the rear is a random shepherd … because … the scene needed balance.

880: (330/365) Seated Mother

So the challenge to render a more feminine figure, seated, as if tending something was on:

Using a variation of the generic judaian I managed to change the head, add knees and change the posture so sitting is suggested. Continue reading